Yannis Hadjinicolaou’s book, based on his PhD thesis, is concerned with Rembrandtesque handeling in the works of those students of Rembrandt who adhered to their master’s style after it began to go [...] Read More
17th-Century Dutch Republic
Genre Paintings in the Mauritshuis
This volume is the latest addition to an exemplary series of collection catalogues that the Mauritshuis launched in 1993. It follows the same high standards of scholarship and production as the [...] Read More
Rembrandt’s Rivals. History Painting in Amsterdam 1630–1650
Although nearly four decades have passed since the landmark exhibition Gods, Saints and Heroes (National Gallery of Art, Washington, 1980), history painting as an aspect of art in the Dutch ‘Golden [...] Read More
Michael Sweerts (1618-1664): Shaping the Artist and the Academy in Rome and Brussels
Modern scholarship has routinely presented the Brussels-born Michael Sweerts as an ally of the Bamboccianti, those mainly Netherlandish genre painters in Rome notorious for disregarding conventional [...] Read More
Hercules Segers: Painter Etcher
Hercules Segers: Painter, Etcher does much to advance our understanding of an artist whose work is often described as enigmatic and – as the accompanying exhibition calls it – ‘mysterious.’ Since the [...] Read More
Light and Shade in Dutch and Flemish Art. A History of Chiaroscuro in Art Theory and Artistic Practice in the Netherlands of the Seventeenth and Eighteenth Centuries (Théorie de l’art 1400–1800/Art Theory 1400–1800, 7)
Light and shade played such fundamental roles in seventeenth-century Dutch and Flemish artists’ representation of the natural world that we may take for granted the complexity and ambiguity associated [...] Read More