Madrid: Instituto Moll. Center for Research in Flemish Painting, 2018. 2 vols. ISBN 978-84-948585-0-5. (Now available in English translation, Brepols Publishers, ISBN 978-84-948585-3-6).
This is a welcome addition to the body of literature on Jacob Jordaens (1593–1678), an artist still insufficiently scrutinized, notwithstanding a flurry of publications during the present decade. [...] Read More
Zwolle: Waanders Publishers, 2018. 356 pp and 492 pp, fully illustrated in color. [The two volumes are packaged and sold together under the title Father and Son Weenix.] ISBN: 978-9462621596.
An essential reference source, the catalogue raisonné is foundational for scholarship and thinking in art history. Thus Anke Van Wagenberg-Ter Hoeven’s publication of large volumes on two important [...] Read More
Pictura Nova, Studies in 16th- and 17th-century Flemish Painting and Drawing XIX. Turnhout: Brepols Publishers, 2018. 2 vols., 1028 pp, 683 b&w illus., 45 colour illus. ISBN: 978-2-503-53175-5 (set), ISBN 978-2-503-56906-2 (Volume 1), ISBN 978-2-503-56907-9 (Volume 2).
In a recent discussion of Flemish art dealers and agents who were active in seventeenth-century Italy, Isabella Cecchini claimed that scholars have paid far more attention to the presence of these [...] Read More
Leiden: Brill, 2019. 241 pp. 37 illus. ISBN 978-90-04-40039-9.
Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More
Brill’s Studies in Intellectual History, volume 287; Brill’s Studies on Art, Art History, and Intellectual History, volume 31. Leiden; Boston: Brill, 2019. 523 pp. 89 color ills. ISBN 978-90-04-38046-2
A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More
Library of the Written Word, The Manuscript World, Volume 55. Leiden: Brill, 2016. xxii, 308 pp, 152 color illus. ISBN 978-90-04-32695-8 (hardback); 978-90-04-32696-5 (e-book).
Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More
Cat. exh. J. Paul Getty Museum, Los Angeles, October 30, 2018 – January 27, 2019; Royal Academy of Arts, London, March 2 – June 2, 2019. Los Angeles: J. Paul Getty Museum, 2018. xiii, 417 pp, fully illustrated in color. ISBN 978-1-6060-6584-6.
This handsomely produced and beautifully illustrated catalogue considers the development of the naturalistic nude in various media produced in northern and southern Europe, c. 1400-1530. It [...] Read More
Los Angeles: Getty Publications, 2018. xi, 180 pp, 18 pls, 60 figs. ISBN 978-1-606-06575-4.
Jacques de Lalaing, the bon chevalier, a renowned jouster and military commander in the service of Philip the Good, Duke of Burgundy, died in 1453, aged only thirty-two, at the siege of Poeke during [...] Read More
Exh. Cat. The Morgan Library & Museum, New York, September 2, 2016 – January 8, 2017. London: Paul Holberton Publishing, 2016. 112 pp, 55 illus. in color. ISBN 978-1-911300-08-3.
New York is a city fortunate enough to contain a significant group of paintings by Hans Memling. From portraiture (the Metropolitan Museum of Art’s Tommaso di Folco Portinari and Maria Portinari are [...] Read More
Brill’s Studies in Intellectual History, 296; Brill’s Studies on Art, Art History, and Intellectual History, 37. Leiden – Boston: Brill, 2019. xxii, 356 pp, 148 illus., mostly color. ISBN 978-90-04-39295-3 (hardback); 978-90-04-39310—3 (e-book).
Pearson sets out to expand and recalibrate the ways that art historians conceptualize early modern garden imagery. Specifically, she challenges an overemphasis on interiority that she sees in modern [...] Read More
Exh. cat. Museo Nacional del Prado, Madrid, June 24 – September 29, 2019. Madrid: Museo Nacional del Prado, 2019. 252 pp, illustrated in color. ISBN 978-96-8167-048-3.
The title of the exhibition might suggest a gathering of crowd-pleasing Old Masters to celebrate the 200th anniversary of the Prado. Instead, the curator Alejandro Vergara tackles an intellectually [...] Read More
Exh. Cat. Kunsthistorisches Museum, Vienna, Schloss Ambras, Innsbruck, June 14 – October 7, 2018. Vienna: Kunsthistorisches Museum, 2018. 190 pp, fully illustrated in color. ISBN 978-3-99020-178-7.
Women, the Art of Power. Three Women from the House of Habsburg translates into English the German catalogue to an exhibition at Schloss Ambras in Innsbruck in 2018. The catalogue explores the [...] Read More
New York: Zone Books, 2017. 357 pp, 91 b&w illus. ISBN 978-1-942130-00-0.
Mitchell B. Merback’s most recent book, Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I, argues that this celebrated and much-discussed engraving incites a therapeutic or healing [...] Read More
Reflexe der immateriellen und materiellen Kultur, 6. Berlin – Boston: De Gruyter, 2018. 332 pp, fully illustrated, ISBN 978-3-11-0557428-8.
Maria Harnack offers a broad-view examination of sixteenth-century Netherlandish artists in Italy. She begins Chapter One’s first section, travel to the Eternal City, by citing a few key contributors [...] Read More
London and New York: Routledge, 2017. 252 pp, 21 color pls., 93 b&w illus. ISBN 978-1-4724-8012-5.
Prints in Translation, 1450-1750, is a wide-ranging volume that aims to mark a fundamental shift in print scholarship. Edited by Suzanne Karr Schmidt and Edward H. Wouk, the volume grew out of a [...] Read More