In this book (a doctoral thesis, University of Kassel, 2008), the author investigates the competition among artists working in Antwerp between 1608, the year Rubens returned from Italy, and 1620. [...] Read More

This book constitutes the most comprehensive study to date of Teniers’s life and work. It reviews and updates the source material, and constructs a new image of Teniers as a painter. Hans Vlieghe’s [...] Read More

A monograph on the Dutch artist Pieter Claesz. Soutman (c. 1593/1601-1657) has long been one of the desiderata in the history of seventeenth-century northern art since he combined the art of Holland [...] Read More

In this latest installment of the Corpus Rubenianum Ludwig Burchard, Koenraad Brosens grapples with the twelve-part Story of Constantinetapestry series which Peter Paul Rubens designed in 1622 and [...] Read More

Nobody ever doubted that Rubens was a Roman catholic, but art history has not yet given much attention to this fact. In a handsomely produced and lavishly illustrated, book, Willibald Sauerländer [...] Read More

In her book, The Shadow of Rubens: Print Publishing in 17th-Century Antwerp, Ann Diels provides a study of the printmaking activities of three of Antwerp’s most important, yet relatively unheralded [...] Read More