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17th-Century Flemish

Rubens and the Judgement of Paris: A Question of Choice (Pictura Nova, III)

By Fiona Healy

Turnhout: Brepols, 1997. 333 pp, 8 col. pls, 170 b&w illus. ISBN 2-503-50443-4

Review published May 2000

Fiona Healy has studied in depth and for the first time Rubens's eight surviving depictions of the Judgement of Paris. As she argues it, these works bracket the start and end of the artist's career. [...] Read More

Rubens (Art & Ideas)

By Kristin Lohse Belkin

London: Phaidon, 1998. 351 pp, 214 col. illus., with glossary, brief biographies, time line, map and suggested further reading, ISBN 0-7148-3412-2

Review published May 2000

Rembrandt yes, Rubens no, would be the verdict of the museum-going public in 2000. But if anything is going to get them to think again it is this book. This is indeed a biography in the old fashioned [...] Read More

Tableaux flamandes et hollandais du Musée Fabre de Montpellier (Collections flamandes et hollandaises des Musées de Province)

By Quentin Buvelot, Michel Hilaire, and Olivier Zeder

[Exh. Cat. Institut Néerlandais, Paris; Musée Fabre, Montpellier]. Paris: Fondation Custodia; Zwolle: Waanders, 1998. 347 pp, ISBN 90-400-9234-6

Review published May 2000

This exemplary publication is the latest in a series of collection/exhibition catalogues devoted to Dutch and Flemish paintings in French provincial museums, which have been produced by the Fondation [...] Read More

Two Publications on the Collection of Henry H. Weldon

By various authors
Review published May 2000

In the Eye of the Beholder: Northern Baroque Paintings from the Collection of Henry H. Weldon. Forward by Egbert Haverkamp-Begemann; catalogue by Nancy T. Minty [Exh. Cat.]. New Orleans: New Orleans [...] Read More

A Journey to Flanders and Holland

By Sir Joshua Reynolds

Ed. by Harry Mount. Cambridge, New York: Cambridge University Press, 1996. LXIII + 274 pp, 17 col. pls, 80 b&w illus.
ISBN 0-521 45129 9

Review published May 2000

Anyone familiar with Sir Joshua Reynolds's Discourses knows his opinion that Flemish and Dutch paintings were inferior to Italian. While he admired the skillful descriptiveness and precise brushwork [...] Read More

Miniatura or the Art of Limning

By Edward Norgate

Ed. by Jeffrey M. Muller and Jim Murrell. New Haven and London: Yale University Press (published for the Paul Mellon Centre for British Art), 1997. XII, 297 pp, 16 illus., 8 in col. ISBN 0-300-06913-8

Review published May 2000

Edward Norgate was a gentleman employed in the service of the early Stuart kings. Emerging from an academic background (his father was vice-chancellor of Cambridge), he evinced strong artistic [...] Read More

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