While a unique artwork cannot be easily reduced to objective data, Peter Carpreau effectively argues that the price paid for a work at auction is a data point that “reflect(s) taste at a certain time [...] Read More
17th-Century Flemish
Jacob Jordaens y España
This is a welcome addition to the body of literature on Jacob Jordaens (1593–1678), an artist still insufficiently scrutinized, notwithstanding a flurry of publications during the present decade. [...] Read More
Van Dyck’s Hosts in Genoa: Lucas and Cornelis de Wael’s Lives, Business Activities and Works
In a recent discussion of Flemish art dealers and agents who were active in seventeenth-century Italy, Isabella Cecchini claimed that scholars have paid far more attention to the presence of these [...] Read More
Rubens. The Jesuit Church of Antwerp (Corpus Rubenianum Ludwig Burchard, Part XXII: Architecture and Sculpture, 3)
Peter Paul Rubens’s extensive engagement with the Jesuit Church of Antwerp is the subject of the new book by Ria Fabri and Piet Lombarde, the latest addition to the Corpus Rubenianum Ludwig Burchard. [...] Read More
Rubens. Allegories and Subjects from Literature (Corpus Rubenianum Ludwig Burchard, Part XII)
Two years ago, I had the opportunity to read for review purposes Part XI of Corpus Rubenianum Ludwig Burchard dedicated to paintings based on mythological narratives (Achilles to the Graces). That [...] Read More
Rubens. The Henri IV Series (Corpus Rubenianum Ludwig Burchard, Part XIV, 2)
Artistic failures can make for successful art history. In his magisterial new contribution to the Corpus Rubenianum Ludwig Burchard, Alexis Merle du Bourg charts the inception, development, and [...] Read More