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Book Reviews

Portraicts des SS Vertus de la Vierge contemplées par feue S.A.S.M. Isabelle Clere Eugenie Infante d’Espagne

By Jean Terrier

A facsimile edition with critical introduction by Cordula van Wyhe (Glasgow Emblem Studies, 7). Glasgow: Glasgow Emblem Studies, 2002. XL, 167, XII pp. ISBN 0-85261-768-2

Review published April 2005

Cordula van Wyhe has provided an informative and persuasive critical introduction to the facsimile edition of a relatively unknown but important emblem book: Portraicts des SS Vertus de la Vierge [...] Read More

Flämische Malerei des Barock in der Alten Pinakothek

By Konrad Renger with Claudia Denk

Munich and Cologne: Pinakothek-DuMont, 2002. 519 pp. ISBN 3-8321-7255-6

Review published April 2005

Nowadays, writing a museum catalogue has become one of the most challenging art-historical endeavors. It should keep its value for several decades, and offer an in-depth yet succinct treatment of the [...] Read More

Jan Gossaert: Die niederländische Kunst zu Beginn der Neuzeit

By Ariane Mensger

Berlin: Dietrich Reimer Verlag, 2002. 239 pp. ISBN 3-496-01266-8

Review published April 2005

The paintings and drawings Jan Gossaert made for Philip IV of Burgundy and other patrons related to the sixteenth-century Burgundian court reveal the crucial role the artist played in weaving [...] Read More

Joos van Cleve: The Complete Paintings

By John Oliver Hand

New Haven and London: Yale University Press, 2004. 230 pp. ISBN 0-300-10578-9

Review published April 2005

In the early sixteenth century Antwerp was a key center for some of the most significant developments in Netherlandish art, particularly the assimilation of Italian Renaissance style, and the [...] Read More

The Print Collection of Ferdinand Columbus 1488-1539, a Renaissance Collector in Seville

By Mark P. McDonald

London: The British Museum Press, 2004. 2 vols.; vol. 1: History and Commentary, 519 pp, 509 b&w illus., 17 col. Illus.; vol. 2: Inventory Catalogue, 592 pp; and CD-Rom. ISBN 0-71412-638-1

Review published April 2005

Most histories of print collectors and their collections spring from an investigation of the print collection itself. Take for example, Peter Parshall's article on Ferdinand of Tyrol's collection at [...] Read More

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings and Woodcuts

By Susan Dackerman

With an essay by Thomas Primeau [Cat. exh. Baltimore Museum of Art, Baltimore, October 6, 2002 - January 5, 2003; Saint Louis Art Museum, St. Louis, February 14-- May 18, 2003.] Baltimore: Baltimore Museum of Art in association with the Pennsylvania State University Press, 2002. 297 pp, 85 col. and 7 b&w illus. ISBN 0-271-02234-5 (cloth); 0-271-02235-03 (paper)

Review published April 2005

One of my students likened our entrance into the galleries of the exhibition, Painted Prints, while on a class trip to Baltimore, to that of Dorothy's stepping into Oz - the moment at which Dorothy [...] Read More

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