Late sixteenth-century writers on the arts in Italy and Holland alike extolled Willem de Tetrode as one of the preeminent European sculptors of his day. Yet because many of his most important works [...] Read More
Book Reviews
The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1700: The Muller Dynasty
The dedicated research of a team of scholars, these volumes cover four generations of the Muller family of printmakers and publishers, who worked in Amsterdam, from c.1535 through the seventeenth [...] Read More
The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1700: Karel van Mander
The New Hollstein volume on Karel van Mander I is, as Christiaan Schuckman notes, 'the first comprehensive monographic discussion of Van Mander's involvement in printmaking' (p. vii). As the prints [...] Read More
The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1700: Cornelis Cort
These and the following volumes reflect the Hollstein series' significant contributions to the study of late sixteenth- to early seventeenth- century printmaking, with catalogues that are definitive [...] Read More
Lucas Cranach d. Ä. und der deutsche Humanismus. Tafelmalerei im Kontext von Rhetorik, Chroniken und Fürstenspiegeln
Lucas Cranach at last is coming into his own. After being considered by Melanchthon - and to our own day - as the least distinguished artist of the familiar German triad with Dürer and 'Grünewald', [...] Read More
Albrecht Dürer and his Legacy: The Graphic Work of a Renaissance Artist
What rotten luck to be an artist born after Albrecht Dürer! Artists of the fifteenth century, especially printmakers, are forgiven technical inadequacies and creative shortcomings because Dürer had [...] Read More