The New Hollstein volume on Karel van Mander I is, as Christiaan Schuckman notes, 'the first comprehensive monographic discussion of Van Mander's involvement in printmaking' (p. vii). As the prints [...] Read More

These and the following volumes reflect the Hollstein series' significant contributions to the study of late sixteenth- to early seventeenth- century printmaking, with catalogues that are definitive [...] Read More

Lucas Cranach at last is coming into his own. After being considered by Melanchthon - and to our own day - as the least distinguished artist of the familiar German triad with Dürer and 'Grünewald', [...] Read More

What rotten luck to be an artist born after Albrecht Dürer! Artists of the fifteenth century, especially printmakers, are forgiven technical inadequacies and creative shortcomings because Dürer had [...] Read More

After long domination by Dürer's Nuremberg in art history, Augsburg at last is getting its scholarly due. The first signs appeared with the burst of research on Jôrg Breu by both Pia Cuneo (1998) and [...] Read More