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Book Reviews

L’âge d’or du manuscrit à peintures en France au temps de Charles VI et Les Heures du Maréchal Boucicaut

By Albert Châtelet

Paris: Institut de France; Dijon: Editions Faton, 2000. 340 pp, approximately 200 illus. ISBN 2-87844-040-4

Review published April 2001

Albert Châtelet’s handsome, slip-cased treatment of one of the richest eras of French manuscript painting, the several decades around 1400 that included the Très riches Heures, is divided neatly into [...] Read More

Jacob Jordaens: Design for Tapestries (Pictura Nova, Studies in 16th- and 17th-Century Flemish Painting and Drawing, V)

By Kristi Nelson

Turnhout: Brepols, 1998. 376 pp, 206 b&w illus. ISBN 2-503-50578-3

Review published November 2000

Considering that Jacob Jordaens was the most prolific designer for tapestry in the Southern Netherlands in the seventeenth century, it is remarkable that up until now we have had to rely on Max [...] Read More

Johann Liss. A Monograph and Catalogue Raisonné

By Rüdiger Klessmann

Doornspijk: Davaco Publishers, 1999. 219 pp, 40 col., 158 b&w illus. ISBN 90-70288-86-9

Review published November 2000

The first words in this major new monograph devoted to Johann Liss state the problem: he is, "a painter about whose life almost nothing is known. No documents exist pertaining to his birth and [...] Read More

Bellisimi ingegni, grandissimo splendore. Studies over de religieuze architectuur in de Zuidelijke Nederlanden tijdens de 17de eeuw

By Krista De Jonge, Annemie De Vos and Joris Snaet (eds.)

(Symbolae. Facultatis Litterarum Lovaniensis. Series B, vol. 15). Leuven: Universitaire Pers, 2000

Review published November 2000

In her introduction to this novel and valuable anthology, Krista De Jonge, Professor of Architectural History at the Katholieke Universiteit, Leuven, notes that the decade between Carolus Scribanius's [...] Read More

Copper as Canvas. Two Centuries of Masterpiece Paintings on Copper 1575-1775

By Michael K. Komanecky, et al.

[Cat. Exh.] Phoenix, AZ: The Phoenix Art Museum, distributed by Oxford
University Press, Oxford and New York, 1999. 21 + 346 pp, 200 col. illus., 76 b&w illus., 13 drawings, diagrams and maps. ISBN 0-19-512397-2 (paper), 0-19-512396-4 (cloth)

Review published November 2000

This is the catalogue of an imaginatively conceived and well-researched exhibition. Its lengthy and informative essays, by Michael Komanecky, Edgar Peters Bowron, Clara Bargellini, Isabel Horovits, [...] Read More

Pushkin State Museum of Fine Arts, Collection of Paintings: The Netherlands, XV-XVI Centuries; Flanders XVII-XVIII Centuries; Belgium XIX-XX Centuries

By Xenia Egorova

Flanders XVII-XVIII Centuries; Belgium XIX-XX Centuries. Moscow: Pushkin State Musuem of Fine Arts, 1998. 416 pp, many col. and b&w illus. ISBN 5-89480-010-2. In Russian

Review published November 2000

The collection of Flemish paintings (in Russian the term is as inclusive as the Italian 'fiamminghi' and the French 'flamand') is one of the unheralded strengths of the Pushkin Museum of Fine Arts in [...] Read More

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