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Book Reviews

Leiden circa 1630. Rembrandt Emerges

By Jacquelyn N. Coutré, ed., with contributions by Jacquelyn N. Coutré, Stephanie S. Dickey, Piet Bakker, and Janet M. Brooke

Exh. Cat. Agnes Etherington Art Centre, Kingston, ON, August 24 – December 1, 2019; The Art Gallery of Alberta, Edmonton, AB, March 7 – September 27, 2020; The McKenzie Art Gallery in Regina, Saskatchewan, December 5, 2020 – February 21, 2021; The Art Gallery of Hamilton, Hamilton, ON, March 13 – May 30, 2021. Kingston, ON: Agnes Etherington Art Centre, 2019. 359 pp, 205 illus., mostly in color. ISBN 978-1-55339-419-8. In English and French.

Review published September 2020

The Agnes Etherington Art Centre joined the celebrations of the 350th anniversary of Rembrandt’s death (or immortality, if you will) with a traveling exhibition combining collection works and loans [...] Read More

Black in Rembrandt’s Time

By Elmer Kolfin and Epco Runia, eds., with contributions by Stefanie Archangel, Mark Ponte, Marieke de Winkel, and David de Witt

Exh. Cat., The Rembrandt House Museum, Amsterdam, March 5 – May 31, 2020, extended to September 10, 2020. Zwolle: WBOOKS, 2020. 135 pp, fully illustrated in color. ISBN 978-94-625-8372-6 (English), 978-94-625-8371-9 (Dutch).

Review published August 2020

In recent decades, art museums in Europe and North America have increasingly staged exhibitions contextualizing the multi-dimensional nature of our shared cultural heritage.  The decision to mount [...] Read More

Rubens. Architectural Sculpture (Corpus Rubenianum Ludwig Burchard, Part XXII: Architecture and Sculpture, 4)

By Valerie Herremans

Translated from the Dutch by Ted Alkins and Irene Schaudies. London: Harvey Miller Publishers, an Imprint of Brepols Publishers, Turnhout, 2019). 379 pp, 129 col. and b&w illus, 32 text. ill. ISBN 978-1-912554-31-7.

Review published August 2020

The most recent addition to the Corpus Rubenianum Ludwig Burchard by Valerie Herremans examines Rubens’s engagement with architectural sculpture. This book complements the previous volume of the [...] Read More

Die Gemälde des Spätmittelalters im Germanischen Nationalmuseum. Vol. 1: Franken, Parts 1 and 2.

By Daniel Hess, Dagmar Hirschfelder and Katja von Baum, eds.

Regensburg: Schnell + Steiner, 2019, 2 vols., 1,126 pp, richly illustrated. ISBN: 978-3-7954-3398-7.

Review published August 2020

The Germanisches Nationalmuseum in Nuremberg possesses around 250 German and Austrian paintings from the fourteenth and fifteenth centuries. Most pictures are by now anonymous masters who are, not [...] Read More

Rubens. Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, XIII, 2)

By Reinhold Baumstark and Guy Delmarcel

Translated from the German by Kristin Lohse Belkin and from the Dutch by Jantien Black. London: Harvey Miller Publishers, an Imprint of Brepols Publishers, Turnhout, 2019, 2 vols.: 778 pp. 161 b&w illus., 99 col. illus. ISBN 978-1-912554-23-2. 

Review published July 2020

Rubens’s first commission for a monumental cycle of decoration was the Decius Mus series, the first of his four tapestry cycles and the subject of this two-volume study of monumental scope. The [...] Read More

Painted Alchemists: Early Modern Artistry and Experiment in the Work of Thomas Wijck

By Elisabeth Berry Drago

Amsterdam Studies in the Dutch Golden Age. Amsterdam: Amsterdam University Press, 2019. 320 pp, 32 color and numerous b&w illus. ISBN: 978-94-6298-649-7.

Review published July 2020

The interiors inhabited by the alchemists in the work of the Dutch artist Thomas Wijck (1616–1677) are fascinating and complex. Scattered with the tools and props of the alchemist’s trade, Wijck’s [...] Read More

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