Hans Holbein (c. 1497/98–1543) has generated plenty of scholarship in the form of catalogues of paintings, drawings and prints as well as serious exhibition catalogues and scholarly monographs. But he [...] Read More
Book Reviews
The Ghent Altarpiece: Research and Conservation of the Exterior
As the first in a series about Jan (and Hubert?) van Eyck’s Ghent Altarpiece (1432), this volume documents the research and conservation treatment of the exterior panels. It is undoubtedly an [...] Read More
Leiden circa 1630. Rembrandt Emerges
The Agnes Etherington Art Centre joined the celebrations of the 350th anniversary of Rembrandt’s death (or immortality, if you will) with a traveling exhibition combining collection works and loans [...] Read More
Black in Rembrandt’s Time
In recent decades, art museums in Europe and North America have increasingly staged exhibitions contextualizing the multi-dimensional nature of our shared cultural heritage. The decision to mount [...] Read More
Rubens. Architectural Sculpture (Corpus Rubenianum Ludwig Burchard, Part XXII: Architecture and Sculpture, 4)
The most recent addition to the Corpus Rubenianum Ludwig Burchard by Valerie Herremans examines Rubens’s engagement with architectural sculpture. This book complements the previous volume of the [...] Read More
Die Gemälde des Spätmittelalters im Germanischen Nationalmuseum. Vol. 1: Franken, Parts 1 and 2.
The Germanisches Nationalmuseum in Nuremberg possesses around 250 German and Austrian paintings from the fourteenth and fifteenth centuries. Most pictures are by now anonymous masters who are, not [...] Read More