This slim volume is a catalogue of an “in focus” exhibition, centered around Jan de Beer’s double-sided panel of Joseph and the Suitors and The Nativity in The Barber Institute of Fine Arts, [...] Read More
Book Reviews
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Lucidly written and clearly organized, Ingrid Falque’s study focuses on the portraits integrated into religious pictures from the Low Countries between circa 1400 and 1550. The corpus of works [...] Read More
Renaissance Illuminators in Paris: Artists & Artisans 1500-1715
As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More
Connoisseurship and the Knowledge of Art, Nederlands Kunsthistorisch Jaarboek, 69, 2019
Half a century ago, when I was a graduate student, art scholarship largely boiled down to connoisseurship; even iconography was considered over-interpretive (and the case can still be made that within [...] Read More
The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510-1610
With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More
The Image of the City in Early Netherlandish Painting (1400-1550)
As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More