An essential reference source, the catalogue raisonné is foundational for scholarship and thinking in art history. Thus Anke Van Wagenberg-Ter Hoeven’s publication of large volumes on two important [...] Read More
Book Reviews
Van Dyck’s Hosts in Genoa: Lucas and Cornelis de Wael’s Lives, Business Activities and Works
In a recent discussion of Flemish art dealers and agents who were active in seventeenth-century Italy, Isabella Cecchini claimed that scholars have paid far more attention to the presence of these [...] Read More
Pieter Bruegel the Elder. Religious Art for the Urban Community
Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More
Maarten van Heemskerck’s Rome: Antiquity, Memory, and the Cult of Ruins
A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More
Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts
Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More
The Renaissance Nude
This handsomely produced and beautifully illustrated catalogue considers the development of the naturalistic nude in various media produced in northern and southern Europe, c. 1400-1530. It [...] Read More