Although nearly four decades have passed since the landmark exhibition Gods, Saints and Heroes (National Gallery of Art, Washington, 1980), history painting as an aspect of art in the Dutch ‘Golden [...] Read More
Book Reviews
Michael Sweerts (1618-1664): Shaping the Artist and the Academy in Rome and Brussels
Modern scholarship has routinely presented the Brussels-born Michael Sweerts as an ally of the Bamboccianti, those mainly Netherlandish genre painters in Rome notorious for disregarding conventional [...] Read More
Aus aller Herren Länder. Die Künstler der “Teutschen Academie” von Joachim von Sandrart
Until very recently, one of the most neglected of all foundational primary sources in European painting history remained Sandrart's Teutsche Academie (1675; Latin edition 1683), including a reliable [...] Read More
Hercules Segers: Painter Etcher
Hercules Segers: Painter, Etcher does much to advance our understanding of an artist whose work is often described as enigmatic and – as the accompanying exhibition calls it – ‘mysterious.’ Since the [...] Read More
Condition: The Ageing of Art
Paul Taylor’s Condition: The Ageing of Art provides an invaluable introduction to a topic often overlooked by art historians: how the chemistry of materials collides with the caprices of time, and how [...] Read More
Michael Pacher: Zwischen Zeiten und Räumen
In German art, the question a "Northern Renaissance" and when (or if) it occurred usually centers around such turn-of-the-epoch figures as Albrecht Dürer and the magic year 1500. Moreover, dominant [...] Read More