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Book Reviews

Early Netherlandish Paintings. Szépmüvészeti Múzeum Budapest, Old Masters’ Gallery Catalogues

By Susan Urbach

With Ágota Varga, technical examinations by András Fáy (Distinguished Contributions to the Study of the Arts in the Burgunduan Netherlands). 2 vols. London: Harvey Miller; Turnhout: Brepols Publishers, 2015. Vol. I: 271 pp, 174 color, 115 b&w illus. Vol. II: 327 pp, 174 color, 115 b&w illus. ISBN Vol. I: 978-1-909400-09-2. ISBN Vol. II: 978-1-909400-29-0

Review published November 2016

In the eighteenth and nineteenth centuries, private individuals acquired many of the Netherlandish paintings presently housed in Budapest’s Szépművészeti Múzeum, though collectors generally prized [...] Read More

Postcards on Parchment: The Social Lives of Medieval Books

By Kathryn M. Rudy

New Haven: Yale University
Press, 2015. 362 pp. ISBN 978-0-300-20989-1

Review published November 2016

This is a book about the permeability of medieval manuscripts and their transformation into something more responsive to their owners’ lives and concerns. It uses the author’s extensive experience [...] Read More

An Allegory of Divine Love: The Netherlandish Blockbook Canticum Canticorum (Early Modern Catholicism and the Visual Arts Series, 10)

By Marilyn Aronberg Lavin

Philadelphia: Saint Joseph’s University Press, 2014. viii, 238 pp, 207 col. and b&w illus. ISBN: 978-0-916101-79-4

Review published November 2016

An Allegory of Divine Love emerged out of the author and her husband Irving Lavin’s The Liturgy of Love: Images from the Song of Songs in the Art of Cimabue, Michelangelo, and Rembrandt, The Franklin [...] Read More

Visual Acuity and the Arts of Communication in Early Modern Germany (Visual Culture in Early Modernity)

By Jeffrey Chipps Smith, ed.

Farnham, Surrey/Burlington, VT: Ashgate 2014. 226 pp, b&w illus. ISBN 978-1-4724-3587-3

Review published April 2016

Made up of an established core and a changing array of international contributors, Frühe Neuzeit Interdisziplinär gathers every three years. Scholars present new research on early modern Germany, and [...] Read More

Georg Pencz. Künstler zu Nürnberg

By Katrin Dyballa

Berlin: Deutscher Verlag für Kunstwissenschaft, 2014. 484 pp, 320 illus., 91 color. ISBN 978-3-87157-237-1

Review published April 2016

If we consult received wisdom (I used Giulia Bartrum's reliable survey, German Renaissance Prints 1490-1550, 1995), we find several accepted facts about Georg Pencz (vital statistics given, c. [...] Read More

Fantastische Welten. Albrecht Altdorfer und das Expressive in der Kunst um 1500

By Stefan Roller and Jochen Sander

Cat. exh. Städel Museum and Liebighaus, Frankfurt, November 5, 2014 – February 8, 2015; Kunsthistorisches Museum, Vienna, March 17 – June 14, 2015; in conjunction with the University of Leipzig. Munich: Hirmer 2014. 288 pp, 255 color illus. ISBN 978-3-777-42266-4

Review published April 2016

I always thought that the term "expressive" was a modernist or twentieth-century concept, in which the depiction of figure types and formal elements conjured up a peculiar state of mind or conveyed [...] Read More

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