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Book Reviews

Rubens in Private: The Master Portrays his Family

By Ben van Beneden, ed.

Cat. exh. The Rubenshuis, Antwerp, March 28 – June 28, 2015. London: Thames & Hudson, 2015. 280 pp, fully illustrated. ISBN 978-0-500-09396-2

Review published November 2015

This beautifully produced and much anticipated book is the companion to the first-ever exhibition focusing on the more private side of Rubens’s genius – a selection  of self-portraits and portraits of [...] Read More

Two Books on Netherlandish Carved Altarpieces

By various authors
Review published November 2015

Le Retable de la Passion de l'Église Sainte-Marie de Güstrow: Éude historique et technologique/ Der Passions-Altar der Pfarrkirche St. Marien zu Güstrow: historische und technologische Studie, under [...] Read More

Moving Sculptures: Southern Netherlandish Alabasters from the 16th to 17th Centuries in Central and Northern Europe

By Aleksandra Lipinska

Trans. Jessica Taylor-Kucia (Studies in Netherlandish Art and Cultural History, 11). Leiden / Boston: Brill, 2015. xxii, 385 pp, 205 illus. ISBN 978-90-04-27708-3

Review published November 2015

Some books are more necessary than others. This English re-edition of Aleksandra Lipinska’s study on Southern Netherlandish alabasters most definitely fills an important gap in the research on Flemish [...] Read More

Art on Paper: Ephemeral Art in the Low Countries. The Triumphal Entry of the Archdukes Albert and Isabella into Antwerp, 1599

By Tamar Cholcman

Turnhout: Brepols, 2014. 157 pp, 50 b&w illus. ISBN 978-2-503-5431-3

Review published November 2015

Art on Paper by Tamar Cholcman is based on the author’s 2006 dissertation. Its study of ephemeral art in the Low Countries uses one book, the 1602 festival book by Johannes Bochius, Historica [...] Read More

Bartholomeus Spranger: Splendor and Eroticism in Imperial Prague

By Sally Metzler

[Exh. cat. The Metropolitan Museum of Art, New York, November 4, 2014–February 1, 2015.] New York: The Metropolitan Museum of Art; New Haven/London: Yale University Press, 2014. 380 pp, fully illustrated. ISBN 978-030-02080-6

Review published November 2015

Bartholomeus Spranger (1546–1611), who is best known for his depictions of amorous couples in impossible positions – if he is remembered by the general public at all – created his own Mannerist [...] Read More

Pleasure and Piety. The Art of Joachim Wtewael

By James Clifton, Liesbeth M. Helmus, Arthur K. Wheelock, Jr., with contributions by Stijn Alsteens and Anne W. Lowenthal

[Exh. cat. Centraal Museum, Utrecht, February 21-May 25, 2015; National Gallery of Art, Washington, June 28-October 4, 2015; Museum of Fine Arts, Houston, November 1, 2015-January 31, 2016]; Princeton: Princeton University Press, 2015. 210 pp, fully illustrated. ISBN 978-0-691-16606-3

Review published November 2015

The exhibition dedicated to Joachim Wtewael in Utrecht, Washington and Houston richly illuminates this painter’s work, including surprisingly great differences in scale and subject. Wtewael’s reduced [...] Read More

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