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Book Reviews

The Authority of the Word: Reflecting on Image and Text in Northern Europe, 1400-1700 (Intersections 20)

By Celeste Brusati, Karl A.E. Enenkel and Walter S. Melion, eds.

Leiden: Brill 2012. Xl, 708 pp, 210 b&w illus., 20 color plates. ISBN 978-90-04-21515-3

Review published November 2013

One of the edges of current scholarship interrogates the constructed boundary between words and images. This collection of twenty essays, originally papers presented at the Third Lovis Corinth [...] Read More

The Trans-formation of Vernacular Expression in Early Modern Arts (Intersections 19)

By Joost Keizer and Todd M. Richardson, eds

Leiden: Brill 2011. xix, 402 pp, 73 b&w illus. ISBN 978-90-04-21204-6

Review published November 2013

The present volume, part of Intersections, Brill’s interdisciplinary series on early modern culture, contains eleven essays and an introduction with a broad geographic, temporal and material scope. [...] Read More

Imitation and Illusion. Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries (Scientia Artis 6)

By Ingrid Geelen and Delphine Steyaert, with the collaboration of Cécile Glaude, Elisabeth Ravaud, Jana Sanyova, Steven Saverwijns, and Wivine Wailliez

Brussels: Royal Institute for Cultural Heritage 2011. 660 pp, fully illustrated, mostly in color. ISBN 978-2-930054-11-7

Review published November 2013

Occasionally a publication elicits envy for its scholarly scope and depth:  Imitation and Illusion, beautifully illustrated, is such a book. Applied brocade is a very specific technique of [...] Read More

Hubert et Jan van Eyck: Créateurs de l’Agneau mystique

By Albert Châtelet

Dijon: Éditions Faton 2011. 320 pp, 200 color illus. ISBN: 978-2-87844-152-9

Review published November 2013

In this beautifully illustrated volume, Châtelet surveys the work of Jan van Eyck, while distinguishing it from his less known brother Hubert. Although there is not enough evidence to indicate who [...] Read More

Depositions: Scenes from the Late Medieval Church and the Modern Museum

By Amy Knight Powell

New York: Zone Books 2012. 369 pp, 76 b&w illus., 8 col. pls. ISBN 978-1-935408-20-8

Review published November 2013

For anyone who has stood before Rogier van der Weyden’s Depositionin the Prado, the notion that the painting – with its hyper-realistic details and emotional intensity – is inherently iconoclastic [...] Read More

Opening Doors: The Early Netherlandish Triptych Reinterpreted

By Lynn F. Jacobs

University Park, PA: Pennsylvania State University Press 2012. 357 pp, 139 b&w, 40 color illus. ISBN 978-0-271-04840-6

Review published November 2013

Despite the popularity of the triptych format in early Netherlandish painting, it has received too little attention. Hopefully, Jacobs’s magnificent book will renew interest and encourage greater [...] Read More

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