In the history of artistic exchange between northern and southern Europe, Jan Gossart occupies a singular place. The first Netherlandish artist known to have drawn the antiquities of Rome, Gossart has [...] Read More
Book Reviews
Flemish and Dutch Artists in Early Modern England: Collaboration and Competition, 1460-1680
In 1517, upon the death of Bernard Flower, the first Netherlandish glazier to serve at the English court as the King’s Glazier, Henry VIII chose the Antwerp-trained Galyon Hone as Flower’s successor. [...] Read More
Martin Schongauer. Maler und Kupferstecher
Schongauer scholars should be forewarned: despite its ample visuals, this tome definitely is not a life-and-works monograph, like the exemplary 2004 study by Stephan Kemperdick. Instead, as a [...] Read More
Wahrheit und Mythos – Bernt Notke und die Stockholmer St.-Georgs-Gruppe. Studien zu einem Hauptwerk niederländischer Bildschnitzerei
Just over a century ago the German-educated Swedish art historian Johnny Roosval attributed the famous sculpture in the Church of St. Nicholas in Stockholm of St. George Slaying the Dragon to the [...] Read More
Van Eyck to Dürer. Early Netherlandish Painting & Central Europe 1430-1530
“Make no small plans,” proclaimed architect Daniel Burnham, and he proceeded to develop the master plan for the city of Chicago. That could be the watchword for Till-Holger Borchert; his massive [...] Read More
The Dance of Death in the Middle Ages: Image, Text Performance (Studies in the Visual Cultures of the Middle Ages, 3)
The Dance of Death, or danse macabre, emerged as a literary and pictorial theme in Europe in the late medieval era. Combining powerful imagery with poetry, skeletons prance amongst a host of figures [...] Read More