Meticulously researched and insightfully argued, Christopher Wood's Forgery, Replica, Fiction. Temporalities of German Renaissance Artresponds to the decades-old debate over how we define what is [...] Read More
Germany and Central Europe
Six Publications on Adam Elsheimer
Rüdiger Klessmann, Im Detail die Welt entdecken: Adam Elsheimer 1578-1610. With contributions by Emilie E.S. Gordenker and Christian Tico Seifert, edited by Michael Maek-Gérard. [Cat. exh. Städelsches [...] Read More
Die Schwalbacher Reise. Gezeichnet von Anton Mirou, in Kupfer gestochen von Mattäus Merian d. Ä., 1620
Some later moments of German art history seem forever viewed out of peripheral vision. One particular and crucial moment is the so-called 'Frankenthal School' at the turn of the seven-teenth century. [...] Read More
Sensuous Worship: Jesuits and the Art of the Early Catholic Reformation in Germany
The effects of the Reformation have dominated scholarship on later sixteenth- and seventeenth-century art in Germany. Both iconoclasm and the devastation of the Thirty Years' War created the [...] Read More
Hans von Aachen, 1552-1615
At around age 22, as Karel van Mander tells us, Hans von Aachen left his native Cologne for Venice and offered his assistance to the artist Gaspar Rem, only to be mocked as a provincial who surely [...] Read More
Böhmische Bildstickerei um 1400: Die Stiftungen in Trient, Brandenburg und Danzig
Based on the author’s doctoral thesis (Berlin: Technische Universität, 1999), this astute book investigates a series of embroidered liturgical vestments, most of which were made in Prague in the years [...] Read More