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College Art Association Conference 2018 (HNA-Related Panels & Papers)

Conference, Los Angeles, February 21 – 24, 2018

The HNA-Sponsored Session

“ALL IN THE FAMILY: NORTHERN EUROPEAN ARTISTIC DYNASTIES, CA. 1350–1750”

Time: 02/21/2018: 4:00PM–5:30PM
Location: Room 404A

Chair: Catharine Ingersoll, Virginia Military Institute

“Visualizing the Francken Family Legacy: On the Gallery Paintings of Frans II Francken (1581-1642)”
Jamie Richardson, Bryn Mawr College; David

“Teniers II as a Brueghel” Lloyd DeWitt, Chrysler Museum of Art

“Marketing Matriarchy: Maria Sibylla Merian, her Daughters, and their Blooming Watercolors”
Catherine Powell, The University of Texas at Austin

“The Far-flung Bendls: Stylistic Connections between Four Generations of an Early Modern Sculptural Family”
Mirka C. Døj-Fetté , Princeton University

“TRAVEL, DIPLOMACY, AND NETWORKS OF GLOBAL EXCHANGE IN THE EARLY MODERN PERIOD, PART II”

Time: 02/21/2018: 4:00PM–5:30PM
Location: Room 503

Chair: Justina Spencer, Carleton University

“Ottoman Diplomatic Ceremonies as seen through the Eyes of the Flemish Artist Pieter Coecke van Aelst (1533)”
Talitha Maria G. Schepers, The Courtauld Institute of Art

“REFLECTIVE SURFACES IN MEDIEVAL AND EARLY MODERN ART”

Time: 02/22/2018: 8:30AM–10:00AM
Location: Room 505

Chairs: Rachel Danford Marshall University and Alexandra Letvin, Philadelphia Museum of Art

“Radiance vs. Representation: The Stubbornness of Gold across Medieval Media”
Joseph Salvatore Ackley, Barnard College

“Materializing Vision: “The Angelic Salutation” by Veit Stoss and the Functions of Its Polychromy”
Sarah Nienas, Technisches Universität, Berlin

“Gazing into Murillo’s Black Mirrors: Reflections Between Europe and the Americas”
Linnea Wren, Gustavus Adolphus College; Travis Nygard, Ripon College

“BEYOND MODEL AND AUTONOMY: RECONFIGURING DRAWING, CA. 1350-1500”

Time: 02/22/2018: 10:30AM–12:00PM
Location: Room 505

Chair: Caroline Fowler, Yale University

“Drawing Machines and Redrawing a World Order in Late-Medieval Europe”
Noa Turel, University of Alabama at Birmingham

“Routes of Antiquarian Knowledge in Fifteenth-Century Italy”
Elizabeth Merrill, Max Planck Institute for the History of Science

“The Model of Loss in Late-Medieval Drawing”
Caroline Fowler, Yale University

“ECCENTRIC IMAGES IN THE EARLY MODERN WORLD, PART I’

Time: 02/24/2018: 8:30AM–10:00AM
Location: Room 404B

Chairs: Mark A. Meadow, University of California, Santa Barbara; Marta Faust, University of California, Santa Barbara

“Mirror Image: Cornelis Gijsbrechts’ “A Hanging Wall Pouch” “
Alexandra Libby, National Gallery of Art, Washington

“Measured Vision: Constructing Space in an Early Qing Landscape”
Stephen Whiteman, The University of Sydney

“Caught by surprise: Trompe-l’œil in Early Modern German Art”
Svea Janzen, Freie Universität Berlin

“EKPHRASTIC IMAGE-MAKING IN EARLY MODERN EUROPE”

Time: 02/24/2018: 8:30AM–10:00AM
Location:  Room 403B

Chair: Arthur J. DiFuria, Savannah College of Art and Design

“Puzzles, Pedagogy, and the Limits of Description in Luca Pacioli’s “De viribus quantitates” “
Bret Rothstein, Indiana University Bloomington

“The Poetry of Penningen: Joost van den Vondel and the Medallic Arts”
Marisa Bass, Yale University

“Parabolic, Periphrastic, and Emblematic Ekphrasis in Hans Bol’s Emblemata Evangelica of 1585”
Walter S. Melion, Emory University

“ECCENTRIC IMAGES IN THE EARLY MODERN WORLD, PART II”

Time: 02/24/2018: 10:30AM–12:00PM
Location: Room 403B

Chairs: Mark A. Meadow, University of California, Santa Barbara; Marta Faust, University of California, Santa Barbara

“The Antwerp Polyglot Bible’s “Crude Images” “
Pamela Merrill Brekka, University of South Florida

“Eyed Awry”: Blind Spots and Apparitions in the “Zimmern Anamorphosis”
Marta Faust, University of California Santa Barbara

“Refracting Rhetoric in the “Perspective Telescope”: Jean-François Niceron’s Dioptric Portraits and Early Modern Wit”
Justina Spencer, Carleton University

“THE ART OF IMAGE DESCRIPTION”

Time: 02/24/2018: 10:30AM–12:00PM
Location: Room 408A

Chair: Tirza T. Latimer, California College of the Arts

“Jan Brueghel the Elder and Peter Paul Rubens, “Allegory of Sight,” 1617 – 1618″
Amanda Cachia, Moreno Valley College

“Matthaus Merian the Elder, “Art as the Mirror of All Nature,” 1617″
Alicia Houtrouw, Getty Research Institute

 

 

Published on October 29, 2017

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