Renaissance Society of America meets in Boston March 20-22. If you’ll be there, we look forward to seeing you at our HNA sponsored sessions. In addition, there are many panels and papers of interest to HNA members. Below is a list of panels of interest followed by a list of individual papers.
Panels of Interest
Copying and Imitation in Early Modern Art and Architecture in the Low Countries and Beyond
Thursday, March 20, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Salon D – 4th Floor
Organizer
Philip Muijtjens Université catholique de Louvain
Chair
Alysée Le Druillenec Université Catholique de Louvain and Université Paris 1 Panthéon-Sorbonne
Presentations
9:00 AM
Invention, Imitation, and Forgery in the Sixteenth- and Seventeenth-Century Low Countries
Ms. Lotte Kokkedee, Universiteit Gent
9:20 AM
Copying Beyond the Visible? Magnificence by Imitation in Sixteenth-Century Antwerp
Mats Dijkdrent, Université catholique de Louvain
9:40 AM
Copying Sainthood? Isabella of Portugal and Her Funding of Chapels in Italy and Portugal
Mr. Philip Muijtjens, Université catholique de Louvain
New Approaches to Material Culture in Northern Europe I: Cultures of Art-Loving
Thursday, March 20, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Salon I – 4th Floor
Organizers
Amelia Hutchinson Faculty of History, University of Cambridge
Sophia Feist Cambridge University
Frederick George Crofts Herzog August Bibliothek, Wolfenbüttel
Chairs
Frederick George Crofts Herzog August Bibliothek, Wolfenbüttel
Amelia Hutchinson Faculty of History, University of Cambridge
Presentations
9:00 AM
Mercator Sapiens in Theory and Practice: The Dutch Mercantile World in the 1590s
Anne Goldgar, University of Southern California
9:20 AM
“From this love springs”: Nikolaus Pfaff’s Goblet of Rhinoceros Horn
Dr. Jessica Frances Keating, Carleton College
9:40 AM
Magic, Science, Art: Della Porta, Kepler, Hoefnagel
Thomas DaCosta Kaufmann, Princeton University
New Approaches to Material Culture in Northern Europe II: Representing the Body
Thursday, March 20, 2025
11:00 AM – 12:30 PM
Boston Marriott Copley Place – Salon I – 4th Floor
Organizers
Amelia Hutchinson Faculty of History, University of Cambridge
Frederick George Crofts Herzog August Bibliothek, Wolfenbüttel
Sophia Feist Cambridge University
Chair
Sophia Feist Cambridge University
Presentations
11:00 AM
A Protestant Philosophy? Medicine, the Body, and the Environment in Sixteenth-Century German and English Thought
Dr. Melissa Reynolds, Texas Christian University
11:20 AM
The Dressed Body: Body Size, Germanness, and Otherness in the Sixteenth Century
Holly Fletcher, The University of Manchester
11:40 AM
Corporality and Seditious Oath-Taking on the Eve of the German Peasants’ War (1525)
Ryan Hampton, University of Oxford
Replicating Value: New Approaches to Print and Money
Thursday, March 20, 2025
11:00 AM – 12:30 PM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Sponsor Organization
Association of Print Scholars (APS)
Organizers
Braden Lee Scott University of Manitoba
Elizabeth Rice Mattison Hood Museum of Art, Dartmouth College
Katherine Paige Calvin Kenyon College
Chair
Katherine Paige Calvin Kenyon College
Presentations
11:00 AM
Ancient Coins, Printed Portraits, and the Idea of Authenticity in Konrad Peutinger’s Kaiserbuch
Dr. Rachel M. Carlisle, University of Alabama in Huntsville
11:20 AM
Line, Wear, and Value in Cornelis Cort’s Matrices
Ms. Rachel Young, Johns Hopkins University
11:40 AM
Authenticity, Copies, and Authority in Prints and Money in the Sixteenth-Century Low Countries
Elizabeth Rice Mattison, Hood Museum of Art, Dartmouth College
12:00 PM
Hardly Alberti: Valuing the Goldsmith’s Art
Dr. Madeleine C. Viljoen, New York Public Library
Animals in the Dutch Colonial Sphere (Sixteenth–Eighteenth Century)
Thursday, March 20, 2025
2:30 PM – 4:00 PM
Boston Westin Copley Place – St. George Room B – 3rd Floor
Organizers
Jim van der Meulen Huygens Institute
Djoeke van Netten University of Amsterdam
Presentations
2:30 PM
White Bears, Tame Dogs, and Dutch Humans in the Arctic Winter
Djoeke van Netten, University of Amsterdam
2:50 PM
Furs, Wampum, and Shifting Values of Exchange in Seventeenth-Century “New Netherland” and the Dutch Republic
Marian Leech, University of Pennsylvania
3:10 PM
Moon, Hare, and Mantis: Indigenous Cosmologies and Natural History in Southern Africa
Gianamar Giovannetti-Singh, University of Amsterdam
3:30 PM
Entangled European and Non-European Attitudes towards Animals in Ernst Brinck’s Historiae Animalium (ca. 1600–49)
Dr. Jim van der Meulen, Huygens Institute
Imagination at Work: Inventive Iconography in the Arts of the Early Modern Netherland
Thursday, March 20, 2025
2:30 PM – 4:00 PM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Sponsor Organization
Historians of Netherlandish Art
Organizer
Jessica Frances Keating Carleton College
Chairs
Stephanie S. Dickey Queen’s University at Kingston
Amy Golahny Boston College
Presentations
2:30 PM
Witchcraft and Pipe-Smoking Devils in a Print by Jan van de Velde II
Guy Tal, Shenkar College of Engineering, Design and Art
2:50 PM
Paltry Fragments and Desolate Swamps: Rise and Fall of Utrecht Grottos
Tijana Zakula, Universiteit Utrecht
3:10 PM
Slipping Through Her Fingers: The Fleeting Power of Women in Rubens’s “Hercules and Omphale”
Kendra Grimmett, Ball State University
Imagination at Work: Inventive Iconography in the Arts of the Early Modern Netherlands II
Thursday, March 20, 2025
4:30 PM – 6:00 PM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Sponsor Organization
Historians of Netherlandish Art
Organizer
Jessica Frances Keating Carleton College
Chairs
Stephanie S. Dickey Queen’s University at Kingston
Amy Golahny Boston College
Presentations
4:30 PM
Childish Invention in Jan Steen’s The Scholar and Death
Katherine Gobel Hardy, Columbia University
4:50 PM
Lessons in Iconography and Technique in Joachim von Sandrart’s Twelve Months
Dr. Susan Maxwell, University of Wisconsin–Oshkosh
5:10 PM
Pieter de Hooch’s Refuse: From Transgression to Signature
Mr. Valentin Bec, UQAM
Manuscript and Printed Book, Drawing, and Printmaking: Thinking Across Media in Northern European Art
Friday, March 21, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Sponsor Organization
Newberry Library Center for Renaissance Studies
Organizer
Walter Simon Melion Emory University
Chair
James Clifton Sarah Campbell Blaffer Foundation
Presentations
9:00 AM
Expexegesis, Antithesis, and Ironical Wit in the Album amicorum of Cornelis à Bleijenburg
Walter Simon Melion, Emory University
9:20 AM
Giovanni Pietro Birago and Giovanni Antonio da Brescia: Untangling the Intertwined and Deviating Careers of Illuminators-Turned-Printmakers
Ms. Femke Speelberg, The Metropolitan Museum of Art
9:40 AM
Print, Paint, and the Play of Media in Parisian Prayerbooks the Early Sixteenth Century
Elliott D. Wise, Brigham Young University
Michel Sittow: New Research to Commemorate the Fifth Centenary of His Death
Friday, March 21, 2025
11:00 AM – 12:30 PM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Sponsor Organization
Historians of Netherlandish Art
Organizers
Jessica Frances Keating Carleton College
Jessica Weiss Metropolitan State University of Denver
Oskar J. Rojewski University of Silesia in Katowice
Anu Mänd University of Tartu
Chair
Felipe Pereda Harvard University
Presentations
11:00 AM
Michel Sittow’s Income at the Castilian Court
Dr. Oskar J. Rojewski, University of Silesia in Katowice
11:20 AM
Michel Sittow, Juan de Flandes, and the Complications of Closely Working Court Artists
Dr. Jessica Weiss, Metropolitan State University of Denver
Interdisciplinarity and Collaboration: New Directions for Early Modern Art in the Museum
Friday, March 21, 2025
11:00 AM – 12:30 PM
Boston Marriott Copley Place – Provincetown Room – 4th Floor
Description
What does the future of exhibitions of early modern art look like? Shows highlighting well-known European artists remain popular: Johannes Vermeer, Rembrandt van Rijn, Donatello, Frans Hals. Yet recent exhibitions of early modern art have also increasingly positioned familiar European artworks in dialogue across geographies, social classes, and time periods. For instance, exhibitions have shed new light on the exchange between the Low Countries and the Islamic World or the collecting of sculpture by non-elite patrons. This panel brings together seven curators to discuss how the collecting and display of early modern art in museum contexts is changing. Each curator will highlight a forthcoming or recent exhibition, followed by a roundtable discussion about future possibilities in the museum field. In particular, curators will address collaborative efforts that allow for new research on topics such as gender, race, class, or the environment. Interdisciplinary research with scholars inside and outside the museum allows us to gain additional perspectives on collections and introduce new voices into the museum. Representing a variety of institutions—academic, regional, and civic museums—each curator will also consider aspects of audience and institutional structure that impact exhibition development. Panelists will address critical issues, including: the museum as a forum for collaboration; exhibition potentials and limitations; and the future of monographic shows.
Organizers
Elizabeth Rice Mattison Hood Museum of Art, Dartmouth College
Megan Reddicks Pignataro Toledo Museum of Art
Robert Schindler Toledo Museum of Art
Ashley Brooke Offill Hood Museum of Art
Chair
Adam Harris Levine Art Gallery of Ontario
Discussants
Lara Yeager-Crasselt The Baltimore Museum of Art
Megan Reddicks Pignataro Toledo Museum of Art
Talitha M. G. Schepers Leiden University Centre for the Arts in Society
Ashley Brooke Offill Hood Museum of Art
Robert Schindler Toledo Museum of Art
Elizabeth Rice Mattison Hood Museum of Art, Dartmouth College
Phenomenal Spaces in the Renaissance World
Friday, March 21, 2025
2:30 PM – 4:00 PM
Boston Marriott Copley Place – Vineyard Room – 4th Floor
Chair
John Cunnally Iowa State University
Presentations
2:30 PM
Seeing- and Hearing-in Rituals of Private Devotion: Divine Love in Netherlandish Triptychs
Elisabetta Toreno, Open University
2:50 PM
Studioli of the North
Johan Eriksson, Uppsala University
The Role of Display in Collecting History Studies
Friday, March 21, 2025
2:30 PM – 4:00 PM
Boston Marriott Copley Place – Provincetown Room – 4th Floor
Description
For the past twenty years, it has been the aim of Collecting & Display to emphasise the role of display in tandem with the history of collections in our seminars, conference panels and specialist conferences. Collecting & Display was among the first to do so and now ‘collecting and display’ is mentioned more frequently in the titles of publications and events.The aim of this round table is to discuss the extent to which the consideration of display as a fundamental part of collecting has led to a deeper understanding of its essential role in the history of collecting. We consider issues such as:·1. the overall influence of bringing the matter of display to the wider attention of the public;· 2. how approaching collecting history through the role of display might nuance our understanding of collecting;· 3. the ways in which research on collections has been influenced by the insistence on display as an indispensable part of collecting history.Panellists bring their specialist areas of research to the discussion and consider changes over the past twenty years on the nature and purpose of the kunstkammer, as well as the display of art in Roman palaces; the relationship between written accounts giving an order and structure to collections and the actuality of display; the topic of framing the collection and the interest in furniture and the physical nature of display and the display of works of art at the original venue versus museums.Our round table reflects on the extent to which the matter of display should be considered when studying collections and the strengths and limitations of the emphasis on display within the history of collecting and museology.
Organizers
Andrea M. Gáldy International Forum Collecting and Display
Susan Bracken Independent Scholar
Adriana Turpin IESA Paris
Chair
Mark A. Meadow UCSB
Discussants
Gail Feigenbaum Independent Art Historian
Jessica Frances Keating Carleton College
Joaneath A. Spicer Walters Art Musuem
Adriana Turpin IESA Paris
Eliška Zlatohlávková Department of Landscape Architecture, Czech Univerisity of Life Sciences
Helena Wangefelt Ström Uppsala University
Images of Flanders in Renaissance Florence
Saturday, March 22, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Salon C – 4th Floor
Organizers
Pieter Martens Vrije Universiteit Brussel
Caterina Cardamone Vrije Universiteit Brussel
Chair
Gianluca Belli University of Florence
Presentations
9:00 AM
Images of Flemish Architecture in Quattrocento Florence
Alicia Rojas Costa, Vrije Universiteit Brussel
9:20 AM
Northern Architecture in Diplomatic Correspondence from Flanders to Florence Around 1550
Caterina Cardamone, Vrije Universiteit Brussel
9:40 AM
Images of Flemish Cities in Florence Around 1600
Pieter Martens, Vrije Universiteit Brussel
Religio-Acoustic Identities in Early Modern Northern Europe
Saturday, March 22, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Massachusetts Room – 5th Floor
Sponsor Organization
Herzog August Bibliothek, Wolfenbüttel
Organizer
Dwight E.R. TenHuisen Calvin University
Chair
Dwight E.R. TenHuisen Calvin University
Presentations
9:00 AM
Bernard Picart’s Ceremonies et coutumes, Renaissance Scholarship, and the Imagined Jewish Communities of Amsterdam
Mr. Paul Gustav Feller-Simmons, Northwestern University
9:20 AM
The Influence of Congregational Singing on Music Composition Pedagogy in Early Seventeenth-Century Germany
Dr. Benjamin M. Dobbs, Furman University
9:40 AM
“Concio et Cantio”: Intertextuality and Confessional Tensions in the 1617 Reformation Centenary
Dr. Barbara Elisabeth Dietlinger, University of North Texas
The Metabolism of Prints: An Ecological View of Printmaking and Its Materials
Saturday, March 22, 2025
9:00 AM – 10:30 AM
Boston Marriott Copley Place – Salon K – 4th Floor
Sponsor Organization
Association of Print Scholars (APS)
Organizers
Braden Lee Scott University of Manitoba
Ulrike Keuper Ludwig-Maximilians-Universität München
Hui Luan Tran University of Mainz
Chairs
Ulrike Keuper Ludwig-Maximilians-Universität München
Hui Luan Tran University of Mainz
Presentations
9:00 AM
The Mutability of Wood
Susan Dackerman, Art & Archaeology, Princeton University
9:20 AM
The Embodied Geologic Knowledge of Albrecht Altdorfer
Jackie Streker, Temple University
9:40 AM
“Least It Endanger the House”: Shifting Ecological Concerns in Early Etching Recipes
Genevra R. Higginson, University of Michigan
10:00 AM
Metabolic Segers
Dr. Elizabeth J. Petcu, University of Edinburgh
Functions and Meanings of Color in Early Modern European Prints
Saturday, March 22, 2025
11:00 AM – 12:30 PM
Boston Marriott Copley Place – Salon K – 4th Floor
Sponsor Organization
Historians of Netherlandish Art
Organizers
Jessica Frances Keating Carleton College
Manon Chaidron UCLouvain
Chair
Walter Simon Melion Emory University
Panel Respondent
Susan Dackerman Art & Archaeology, Princeton University
Presentations
11:00 AM
Color in Heraldic Prints in the Sixteenth-Century Polish Kingdom: A Comparative Look
Karolina Anna Mroziewicz, University of Warsaw
11:20 AM
Decoding the Palette: the Role of Color in Sixteenth- and Seventeenth-Century European Parrot Engravings
Marie-Anne Dragon, Free University of Brussels
11:40 AM
The Desecration of the Hosts in Colorized Books During the Seventeenth Century
Manon Chaidron, UCLouvain
Early Modern Dutch Women, Transnationalism, and Book History
Saturday, March 22, 2025
2:30 PM – 4:00 PM
Boston Marriott Copley Place – Nantucket Room – 4th Floor
Sponsor Organization
Center for Medieval and Renaissance Studies, California State University, Long Beach
Organizer
Martine Van Elk California State University, Long Beach
Chair
Martine Van Elk California State University, Long Beach
Presentation
2:30 PM
Reformed Domestic Advice: Expectations and Opportunities for Studious Early Modern Women
Dr. Amanda C. Pipkin, University of North Carolina at Charlotte
2:50 PM
Rosaura’s Rebellion: Performing Transnational White Womanhood on the Amsterdam Stage
Henriëtte Rietveld, Yale University | University of Amsterdam
3:10 PM
Printed at a Price: The Miraculous Autobiography and Authorship of Isabella de Moerloose
Dr. Lieke van Deinsen, KU Leuven
Sessions in Honor of Megan Holmes II: Materials and Methods in Artistic Production
Saturday, March 22, 2025
4:30 PM – 6:00 PM
Boston Westin Copley Place – Staffordshire Ballroom – 3rd Floor
Organizers
Diana Bullen Presciutti University of Essex
Silvia Tita Michigan State University
Chair
Sean Roberts University of Tennessee, Knoxville
Presentations
4:30 PM
Abundant Pleasures: Transformation as Allegory in Coecke and Pannemaker’s Vertumnus and Pomona Tapestries
Katharine S. Campbell, (UCL) University College London
4:50 PM
Materiality, Motifs, and Style in Seventeenth-Century Sino-Dutch Artistic Exchanges
Angela Ho, George Mason University
5:10 PM
Material Transformations in the Rijksmuseum’s Map of the Iberian Peninsula
Dr. Wendy Mila Sepponen, Texas Christian University
5:30 PM
The Global Politics of Sacredness in a Holy Sacrament Procession
Silvia Tita, Michigan State University
Individual papers of interest:
Humans, Almost Humans, Animals, and Monsters in the Works of Hieronymus Bosch
Thursday, March 20, 2025
9:40 AM – 10:00 AM
Boston Marriott Copley Place – Exeter Room – 3rd Floor
Presenting Author
Sherry C.M. Lindquist Western Illinois University
The Peutinger Psalter: Scholarship and Devotion in a Humanist Household
Thursday, March 20, 2025
9:00 AM – 9:20 AM
Boston Westin Copley Place – Great Republic Room – 7th Floor
Presenting Author
Christa Lundberg University of Cambridge
Collecting Multilingual Texts in Sixteenth-Century Antwerp: Constructing a Local Self in a European Context
Thursday, March 20, 2025
11:00 AM – 11:20 AM
Boston Marriott Copley Place – Salon D – 4th Floor
Presenting Author
Rozanne Versendaal Utrecht University
Marketing Multilingualism: Polyglot Print and the Elite “Identikit” in Early Modern Europe
Thursday, March 20, 2025
11:20 AM – 11:40 AM
Boston Marriott Copley Place – Salon D – 4th Floor
Presenting Author
Anthony Bruder Utrecht University
Aspects of Privacy and Gender in Early Modern Egodocuments of Wouter Jakobsz and Elisabeth Strouven
Thursday, March 20, 2025
11:20 AM – 11:40 AM
Boston Marriott Copley Place – Brandeis Room – 3rd Floor
Presenting Author
Michaël Green University of Lodz
The Postmortem Inventory of Archduke Ferdinand II, Innsbruck 1596
Thursday, March 20, 2025
11:20 AM – 11:40 AM
Boston Marriott Copley Place – Salon J – 4th Floor
Presenting Author
Elisabeth Reitter Independent Scholar, Austria
Brueghelian Temperature: Pieter Bruegel’s Months and Ideas of Flemish Seasonality
Thursday, March 20, 2025
4:50 PM – 5:10 PM
Boston Westin Copley Place – St. George Room A – 3rd Floor
Presenting Author
Tony Yanzhang Cui University of Maryland, College Park
Translating Technique: Translatio, copia, and inventio in Pieter Bruegel’s Circle
Thursday, March 20, 2025
4:50 PM – 5:10 PM
Boston Marriott Copley Place – Salon D – 4th Floor
Presenting Author
Astrid Hobill Queen’s University
Drawings by Apprentices Finishing Their Learning Period in Northern European Painter’s Guilds
Thursday, March 20, 2025
5:10 PM – 5:30 PM
Boston Marriott Copley Place – Salon D – 4th Floor
Presenting Author
Bartlomiej Lyczak Gdansk University
The Transnational Origins of Dutch Tragedy
Thursday, March 20, 2025
4:30 PM – 4:50 PM
Boston Westin Copley Place – St. George Room B – 3rd Floor
Presenting Author
James A. Parente University of Minnesota
World-building in Joost van den Vondel’s Late Tragedies Noah and Zungchin
Thursday, March 20, 2025
5:10 PM – 5:30 PM
Boston Westin Copley Place – St. George Room B – 3rd Floor
Presenting Author
Freya Sierhuis University of York
Rubens’ Maelstrom of Paint: A Disruptive Consequence of War
Friday, March 21, 2025
9:40 AM – 10:00 AM
Boston Marriott Copley Place – Vineyard Room – 4th Floor
Presenting Author
Itay Sapir Université du Québec à Montréal
The Educational Grand Tour of Johan de Witt (1625–72): Shaping a Future Dutch Statesman
Friday, March 21, 2025
9:00 AM – 9:20 AM
Boston Marriott Copley Place – Salon K – 4th Floor
Presenting Author
Ineke Huysman Huygens Institute
Art, Hot, and Cool: The Winter of Early Modern World Pictures
Friday, March 21, 2025
9:20 AM – 9:40 AM
Boston Marriott Copley Place – Orleans Room – 4th Floor
Presenting Author
Kirsten J. Burke Harvard University
Stranded Whale Images in Early Modern Netherlands: Symbols of Dominion and Exploitation
Friday, March 21, 2025
11:00 AM – 11:20 AM
Boston Marriott Copley Place – Orleans Room – 4th Floor
Presenting Author
Ryan E. Gregg Webster University
Neptune as Emblem of Peace, Sovereignty, and Environmental Knowledge
Friday, March 21, 2025
11:00 AM – 11:20 AM
Boston Marriott Copley Place – Nantucket Room – 4th Floor
Presenting Author
Davide Martino Université Libre de Bruxelles (ULB)
Co-author (non-presenting)
Frederick George Crofts Herzog August Bibliothek, Wolfenbüttel
On the Appraisal and Dissuasion of Travelling Between Italy and the Netherlands
Friday, March 21, 2025
2:50 PM – 3:10 PM
Boston Marriott Copley Place – Salon K – 4th Floor
Presenting Author
Madeline Delbé Kunsthistorisches Institut in Florenz — Max-Planck-Institut
The Urban Body: Contours of the German Self in the Printed City-View of Tenochtitlan
Friday, March 21, 2025
3:10 PM – 3:30 PM
Boston Marriott Copley Place – Nantucket Room – 4th Floor
Presenting Author
Bailey Elizabeth Sullivan University of Michigan, Ann Arbor
The Confluence of Cartography and Landscape in Poly-Olbion and Topographia Germaniae
Friday, March 21, 2025
2:50 PM – 3:10 PM
Boston Marriott Copley Place – Nantucket Room – 4th Floor
Presenting Author
Hayley Cotter University of Massachusetts Amherst
Book and Paper in Bruegel’s Land of Cockaigne
Friday, March 21, 2025
2:30 PM – 2:50 PM
Boston Westin Copley Place – Parliament Room – 7th Floor
Presenting Author
Arthur J. DiFuria Savannah College of Art and Design
The Gendered Implications of Flowers, Song, and Courtship in the Dutch Republic
Friday, March 21, 2025
2:30 PM – 2:50 PM
Boston Marriott Copley Place – New Hampshire Room – 5th Floor
Presenting Author
Kaylee Simmons Indiana University, Bloomington
Theodore de Bry’s Transnational Networks: Publishing North America in Early Modern Europe
Friday, March 21, 2025
4:50 PM – 5:10 PM
Boston Marriott Copley Place – Salon K – 4th Floor
Presenting Author
Kethlen Santini Rodrigues IMT Lucca – Ludwig Maximilian University of Munich
Confronting Change in the Dutch Landscape: An Ecocritical Approach at the Baltimore Museum of Art
Friday, March 21, 2025
4:30 PM – 4:50 PM
Boston Marriott Copley Place – Salon D – 4th Floor
Presenting Author
Lara Yeager-Crasselt The Baltimore Museum of Art
Collaborative Eroticism in Blooteling and Van Loo’s Diane de Poitiers as Diana in Seventeenth-Century Amsterdam
Friday, March 21, 2025
5:10 PM – 5:30 PM
Boston Marriott Copley Place – Salon C – 4th Floor
Presenting Author
Brittany Rubin Temple University, Tyler School of Art
Narrative Spaces: Architecture as a Storytelling Device in Antwerp Mannerist Paintings
Saturday, March 22, 2025
9:00 AM – 9:20 AM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Presenting Author
Stefaniia Demchuk Taras Shevchenko National University of Kyiv
Lancelot Blondeel and the Disciplinary Interplay Between Architecture and Painting
Saturday, March 22, 2025
9:40 AM – 10:00 AM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Presenting Author
Oliver Kik Royal Institute for Cultural Heritage, KIK-IRPA
Hendrick Goltzius: Self-Portraiture, Masquerading, and Revealing Identity
Saturday, March 22, 2025
9:20 AM – 9:40 AM
Boston Westin Copley Place – Empire Room – 7th Floor
Presenting Author
Or Vallah University of Washington, Seattle
Finding ‘Koshoro:’ Patchwork Memories and Networks of Exchange Among Japanese Women in Early Modern Batavia
Saturday, March 22, 2025
11:20 AM – 11:40 AM
Boston Marriott Copley Place – Orleans Room – 4th Floor
Presenting Author
Joyce Yusi Zhou Yale University
Challenging Notions of Authorship in a Holy Family Painting Signed by Anna Maria Janssens
Saturday, March 22, 2025
11:40 AM – 12:00 PM
Boston Marriott Copley Place – Orleans Room – 4th Floor
Presenting Author
Catherine Warren-Powell KU Leuven
Beyond the Stonemason. The Introduction of the “Painter-Architect” in Sixteenth-Century Central Europe
Saturday, March 22, 2025
11:20 AM – 11:40 AM
Boston Marriott Copley Place – Yarmouth Room – 4th Floor
Presenting Author
Sarah W. Lynch Friedrich-Alexander-Universität Erlangen-Nürnberg
Anna Goos and the Transfer of the Plantin Press to Her Son in 1681
Saturday, March 22, 2025
11:40 AM – 12:00 PM
Boston Westin Copley Place – Parliament Room – 7th Floor
Presenting Author
Kristof Selleslach Museum Plantin-Moretus
Familial Relationships as Indicators of the Nature of Princely Government in Dutch Revolt Pamphlets
Saturday, March 22, 2025
2:50 PM – 3:10 PM
Boston Westin Copley Place – Helicon Room – 7th Floor
Presenting Author
Camille Dohet UCLouvain
A Naturalized History: Genealogical Images from Early Modern German-Speaking Lands
Saturday, March 22, 2025
3:10 PM – 3:30 PM
Boston Marriott Copley Place – Salon H – 4th Floor
Presenting Author
Nayoung Kim University of Wisconsin–Madison
All’Antica Tournament and the Allegory of Dutch Brazil
Saturday, March 22, 2025
2:50 PM – 3:10 PM
Boston Marriott Copley Place – Salon J – 4th Floor
Presenting Author
Alexander Bevilacqua Williams College
African Idols and Catholic Fetishes: Dirk Valkenburg’s Ritual Slave Party Reconsidered
Saturday, March 22, 2025
3:10 PM – 3:30 PM
Boston Marriott Copley Place – Salon J – 4th Floor
Presenting Author
Justin M. Brown Boston College
Trans-Alpine Artistic Encounters: Francesco I de’ Medici’s Journey to the Austrian Habsburg Court
Saturday, March 22, 2025
4:30 PM – 4:50 PM
Boston Marriott Copley Place – Salon K – 4th Floor
Presenting Author
Adriana Concin Victoria and Albert Museum
The Artist is Present: Artistic Identity and Philosophy in Cornelis Norbertus Gijsbrechts’s Still Lifes
Saturday, March 22, 2025
4:50 PM – 5:10 PM
Boston Marriott Copley Place – Salon A – 4th Floor
Presenting Author
Natalie Giguere University of Delaware
Cornelis De Man’s Trompe l’Oeil Frame with Putti: Vanity and Vision through a Seventeenth-Century Mirror
Saturday, March 22, 2025
5:10 PM – 5:30 PM
Boston Marriott Copley Place – Salon A – 4th Floor
Presenting Author
Bailey Elaine Pekar Boston University
Teaching with Early Modern European Art at the MFA Boston
Saturday, March 22, 2025
4:30 PM – 4:50 PM
Boston Marriott Copley Place – Salon H – 4th Floor
Abstract
Co-authored with Nile Blunt, MFA Boston.
Presenting Authors
Nicole Elizabeth Cook Center for Netherlandish Art, Museum of Fine Arts, Boston
Nile Blunt Museum of Fine Arts, Boston