When a venerated medievalist who has contributed great insights into the cultural practices of late medieval elites pens a book that distills a life’s work, it is best to pay attention. This is the [...] Read More

In this ambitious book, Noa Turel argues for a new understanding of the original aims and perception of early Netherlandish painting. Rather than the phenomenal optical realism usually regarded as the [...] Read More

In this book, Susan Green addresses the polyvalent and dynamic character of iconography, by focusing on how the depictions of the Tree of Jesse variously functioned in the late Middle Ages. According [...] Read More

The very cover of this impressive new anthology sends out a contradiction: its images feature details of the Washington Jan van Eyck Annunciation shutter, yet its editors are noted specialists in [...] Read More

In September of 2020, the Royal Library of Belgium in Brussels opened a state-of-the-art museum to great fanfare. Its purpose is to offer the public the opportunity to enjoy a rotating exhibit of [...] Read More

Many readers will have shared my disappointment at having missed the exhibition Van Eyck: An Optical Revolution, which opened at Ghent’s Museum voor Schone Kunsten on February 1st, 2020, and was [...] Read More

As the first in a series about Jan (and Hubert?) van Eyck’s Ghent Altarpiece (1432), this volume documents the research and conservation treatment of the exterior panels. It is undoubtedly an [...] Read More

This edited volume was produced to accompany the much anticipated exhibition Borman and Sons: The Best Sculptors, held at M-Museum Leuven from September 20th, 2019 to January 26th, 2020. Like the [...] Read More

As Anne Williams astutely identifies, depictions of Saint Joseph in works of art of the fourteenth to sixteenth century are rife with paradox, a seemingly conflicting combination of ridicule and [...] Read More

Lucidly written and clearly organized, Ingrid Falque’s study focuses on the portraits integrated into religious pictures from the Low Countries between circa 1400 and 1550. The corpus of works [...] Read More

As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More

Joanne Anderson expands our knowledge of Mary Magdalen imagery by analyzing little known Alpine fresco cycles and altarpieces of the saint produced between the late thirteenth and early sixteenth [...] Read More

Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More