Brussels: Royal Library of Belgium (KBR) / London: Harvey Miller. An Imprint of Brepols Publishers, Turnhout, 2020. 205 pp, 134 color illus. ISBN 978-1-912554-24-9.
In September of 2020, the Royal Library of Belgium in Brussels opened a state-of-the-art museum to great fanfare. Its purpose is to offer the public the opportunity to enjoy a rotating exhibit of [...] Read More
Exh. Cat. Museum voor Schone Kunsten, Ghent, February 1 – March 12, 2020. London – New York: Thames & Hudson, 2020. 490 pp, 350 color illus. ISBN 978-0-500-02345-7.
Many readers will have shared my disappointment at having missed the exhibition Van Eyck: An Optical Revolution, which opened at Ghent’s Museum voor Schone Kunsten on February 1st, 2020, and was [...] Read More
Contributions to the Study of the Flemish Primitives, 14. Brussels: Royal Institute for Cultural Heritage (KIK-IRPA), Brussels, 2020. 430 pp, 300 color illus. ISBN 978-2-930054-38-4.
As the first in a series about Jan (and Hubert?) van Eyck’s Ghent Altarpiece (1432), this volume documents the research and conservation treatment of the exterior panels. It is undoubtedly an [...] Read More
[Exh. Cat. M – Museum, Leuven, September 20, 2019 – January 26, 2020.] London / Turnhout: Harvey Miller Publishers. An Imprint of Brepols Publishers, 2019. 312 pp, 560 color illus. ISBN 978-1-912554-41-6.
This edited volume was produced to accompany the much anticipated exhibition Borman and Sons: The Best Sculptors, held at M-Museum Leuven from September 20th, 2019 to January 26th, 2020. Like the [...] Read More
(Visual and Material Culture, 1300-1700). Amsterdam: Amsterdam University Press, 2019. 244 pp, 10 col. plates, 54 b&w illus. ISBN 978-94-6298-374-8 (hardback), 978-90-4853-411-1 (e-book).
As Anne Williams astutely identifies, depictions of Saint Joseph in works of art of the fourteenth to sixteenth century are rife with paradox, a seemingly conflicting combination of ridicule and [...] Read More
Brill’s Studies on Art, Art History, and Intellectual History, 38. Leiden: Brill, 2019. xxiv, 336 pp, 111 color illus. ISBN: 978-90-04-36975-7 (hardback); 978-90-04-39760-6 (e-book).
Lucidly written and clearly organized, Ingrid Falque’s study focuses on the portraits integrated into religious pictures from the Low Countries between circa 1400 and 1550. The corpus of works [...] Read More
Studies in European Urban History (1100-1800), 44. Turnhout: Brepols Publishers, 2019. 356 pp, 95 b&w illus., 17 col. pls., 14 tables. ISBN 978-2-503-57982-5.
As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More
New York – London: Bloomsbury Visual Arts, 2019. xvi, 248 pp, 44 b&w illus., 40 color illus. ISBN 978-1-5013-3468-9 (hardback); 978-1-5013-3470-2 (ePDF); 978-1-5013-3469-6 (eBook).
Joanne Anderson expands our knowledge of Mary Magdalen imagery by analyzing little known Alpine fresco cycles and altarpieces of the saint produced between the late thirteenth and early sixteenth [...] Read More
Library of the Written Word, The Manuscript World, Volume 55. Leiden: Brill, 2016. xxii, 308 pp, 152 color illus. ISBN 978-90-04-32695-8 (hardback); 978-90-04-32696-5 (e-book).
Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More
Cat. exh. J. Paul Getty Museum, Los Angeles, October 30, 2018 – January 27, 2019; Royal Academy of Arts, London, March 2 – June 2, 2019. Los Angeles: J. Paul Getty Museum, 2018. xiii, 417 pp, fully illustrated in color. ISBN 978-1-6060-6584-6.
This handsomely produced and beautifully illustrated catalogue considers the development of the naturalistic nude in various media produced in northern and southern Europe, c. 1400-1530. It [...] Read More
Los Angeles: Getty Publications, 2018. xi, 180 pp, 18 pls, 60 figs. ISBN 978-1-606-06575-4.
Jacques de Lalaing, the bon chevalier, a renowned jouster and military commander in the service of Philip the Good, Duke of Burgundy, died in 1453, aged only thirty-two, at the siege of Poeke during [...] Read More
Exh. Cat. The Morgan Library & Museum, New York, September 2, 2016 – January 8, 2017. London: Paul Holberton Publishing, 2016. 112 pp, 55 illus. in color. ISBN 978-1-911300-08-3.
New York is a city fortunate enough to contain a significant group of paintings by Hans Memling. From portraiture (the Metropolitan Museum of Art’s Tommaso di Folco Portinari and Maria Portinari are [...] Read More
Brill’s Studies in Intellectual History, 296; Brill’s Studies on Art, Art History, and Intellectual History, 37. Leiden – Boston: Brill, 2019. xxii, 356 pp, 148 illus., mostly color. ISBN 978-90-04-39295-3 (hardback); 978-90-04-39310—3 (e-book).
Pearson sets out to expand and recalibrate the ways that art historians conceptualize early modern garden imagery. Specifically, she challenges an overemphasis on interiority that she sees in modern [...] Read More
[Exh. cat. Groeningemuseum, Bruges, March 1 – June 3, 2018.] Ghent: Snoeck, 2018. 256 pp, fully illustrated in color. ISBN 978-94-6161-439-1.
This catalogue accompanied the exhibition Haute Lecture by Colard Mansion: Innovating Text and Image in Medieval Bruges, co-organized by Musea Brugge and Openbare Bibliotheek Brugge. Devoting an [...] Read More
Cham, Switzerland: Palgrave Macmillan, 2017. xvii, 244 pp, 26 b&w illus. ISBN 978-3-319-65049-4.
In a new blog on intersectionality posted by the Society for the Study of Early Modern Women, literature historian Christina Luckyj confronted tensions that she identified between a contemporary, [...] Read More