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14th and 15th Centuries

Saintly Brides and Bridegrooms: The Mystic Marriage in Northern Renaissance Art (Studies in Medieval and Early Renaissance Art History, 70)

By Carolyn Diskant Muir

London: Harvey Miller; Turnhout: Brepols Publishers 2012. 275 pp, 100 b&w and 16 color illus. ISBN: 978-1-905375-87-5

Review published April 2014

Although mystical experiences, by definition, are beyond the capacity of words and images, this did not discourage late medieval authors and artists from describing them. In this book, Muir discusses [...] Read More

Women, Manuscripts and Identity in Northern Europe, 1350-1550

By Joni M. Hand

Farnham (Surrey)/ Burlington (Vermont): Ashgate 2013. xii, 251 pp, 51 b&w illus. ISBN 978-1-409-45023-8

Review published April 2014

There is no longer any doubt that women were key players in the manuscript culture of medieval and early modern northern Europe. Women made, sold, and commissioned manuscripts, they presented and [...] Read More

Imitation and Illusion. Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries (Scientia Artis 6)

By Ingrid Geelen and Delphine Steyaert, with the collaboration of Cécile Glaude, Elisabeth Ravaud, Jana Sanyova, Steven Saverwijns, and Wivine Wailliez

Brussels: Royal Institute for Cultural Heritage 2011. 660 pp, fully illustrated, mostly in color. ISBN 978-2-930054-11-7

Review published November 2013

Occasionally a publication elicits envy for its scholarly scope and depth:  Imitation and Illusion, beautifully illustrated, is such a book. Applied brocade is a very specific technique of [...] Read More

Hubert et Jan van Eyck: Créateurs de l’Agneau mystique

By Albert Châtelet

Dijon: Éditions Faton 2011. 320 pp, 200 color illus. ISBN: 978-2-87844-152-9

Review published November 2013

In this beautifully illustrated volume, Châtelet surveys the work of Jan van Eyck, while distinguishing it from his less known brother Hubert. Although there is not enough evidence to indicate who [...] Read More

Depositions: Scenes from the Late Medieval Church and the Modern Museum

By Amy Knight Powell

New York: Zone Books 2012. 369 pp, 76 b&w illus., 8 col. pls. ISBN 978-1-935408-20-8

Review published November 2013

For anyone who has stood before Rogier van der Weyden’s Depositionin the Prado, the notion that the painting – with its hyper-realistic details and emotional intensity – is inherently iconoclastic [...] Read More

Opening Doors: The Early Netherlandish Triptych Reinterpreted

By Lynn F. Jacobs

University Park, PA: Pennsylvania State University Press 2012. 357 pp, 139 b&w, 40 color illus. ISBN 978-0-271-04840-6

Review published November 2013

Despite the popularity of the triptych format in early Netherlandish painting, it has received too little attention. Hopefully, Jacobs’s magnificent book will renew interest and encourage greater [...] Read More

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