Ci nous dit, originally known as Une composition de la Sainte Ecriture, was written around 1320 by an anonymous author perhaps in the region around Soissons, and survives today in 18 exemplars. The [...] Read More
14th and 15th Centuries
Hieronymus Bosch. Die Zeichnungen. Werkstatt und Nachfolge bis zum Ende des 16. Jahrhunderts
Over the last decade a new consensus has been emerging about Hieronymus Bosch, usually regarded as an eccentric and a unique, if influential genius. First the 2001 Rotterdam exhibition and its [...] Read More
The Land of Unlikeness: Hieronymus Bosch,The Garden of Earthly Delights
Panofsky's Early Netherlandish Painting concludes with his assessment of the difficulties of "decoding Jerome Bosch," stating, "We have bored a few holes through the door of the locked room; but [...] Read More
The Technology of Salvation and the Art of Geertgen tot Sint Jans
Among the paintings attributed to Geertgen tot Sint Jans and his circle, a number of small-sized panels have a special place. Decker's study concentrates on the ways in which these works served [...] Read More
Hans Memling: Master Painter in Fifteenth-Century Bruges
Hans Memling is one of the most famous artists of the late fifteenth-century. His reputation among scholars, however, has been mixed. Max Friedländer criticized the painter for lacking passion of [...] Read More
The Viewer and the Printed Image in Late Medieval Europe
David Areford's marvelous book offers his readers the opportunity to reconsider early woodcuts and metalcuts in new ways. He not only effectively shows how these ephemeral and inexpensive images were [...] Read More