Despite several important monographic exhibitions, notably Alan Shestack's five-hundredth anniversary exhibition of the artist's death (Philadelphia, 1967) and Holm Bevers's one-man show (Munich, [...] Read More
14th and 15th Centuries
Cultural Exchange Between the Low Countries and Italy (1400-1600)
Following the 2004 CAA session “Cultural Exchange Between the Netherlands and Italy, 1400-1530”, Ingrid Alexander-Skipnes, broadening the scope of the subject, edited a fine selection of contributions [...] Read More
“Moult bons et notables”. L’enluminure tournaisienne à l’époque de Robert Campin (1380-1430) (Corpus of Illuminated Manuscripts, vol. 17, Low Countries Series, 12)
In taking on the thorniest and most interesting questions associated with early Netherlandish art, there is the dramatic approach that aims to resolve an issue or serve as the final word, much like a [...] Read More
The Master of Flémalle and Rogier van der Weyden
Who doesn't love a great mystery? More important, who doesn't love trying to solve one? This is precisely what Stephan Kemperdick and Jochen Sander have set out to do in the exhibition "Der Meister [...] Read More
Making and Marketing: Studies of the Painting Process in Fifteenth- and Sixteenth-Century Netherlandish Workshops
Few individuals have made as many, or as significant, contributions to the field of “technical art history” than Molly Faries. Through her solo research studies, her collaborative partnerships with [...] Read More
Early Engravers and their Public. The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500
Ursula Weekes’s book on early Northern engravings focuses on the ambit of a particular printmaker, the Master of the Berlin Passion. This fine study does not attempt to treat all prints by the Master [...] Read More