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14th and 15th Centuries

Corpus de la peinture des anciens Pays-Bas méridionaux et de la principauté de Liège au quinzième siècle, 19: Musée du Louvre Paris III

By Philippe Lorentz and Micheline Comblen-Sonkes

With the collaboration of the Institut royal du Patrimoine artistique et du Centre de Recherche et de Restauration des musées de France. 2 vols. Brussels: Centre International d'Études de la Peinture Médievale des Bassins de L'Escaut et de la Meuse, 2001. 372 pp, 16 color and 224 b&w plates, ISBN 2-87033-010-3 (Belgium), ISBN 2-7118-4320-3 (France)

Review published November 2002

One of the most ambitious and time consuming projects in the field of Early Netherlandish paintings is the publication of a volume of the 'Primitifs flamands Corpus,' which aims to present and [...] Read More

The Age of Van Eyck 1430-1530. The Mediterranean World and Early Netherlandish Painting

By Till-Holger Borchert, ed.

Ghent-Amsterdam: Ludion, 2002. 280 pp, 252 illus., most in color, and 131 small catalogue illus., all in color. ISBN 90-5544-396-4. Distributed by Thames & Hudson

Review published November 2002

The exhibition 'Jan van Eyck, Early Netherlandish Painting and the European South, 1430-1530,' held at the Groeningemuseum in Bruges from March 15 until June 2002, celebrated 'Bruges 2002 - Cultural [...] Read More

‘De Fin or et d’azur’: Les commanditaires de livres et le métier de l’enluminure à Tournai à la fin du Moyen Âge (XIVe-XVe siècles), (Corpus of Illuminated Manuscripts, 10: Low Countries Series, 7)

By Dominique Vanwijnsberghe

Louvain: Uitgeverij Peeters, 2001. LXVIII, 466 pp, 127 plates, ISBN 2-87723-506-8; 90-429-0883-1

Review published November 2002

Poor Tournai! A decade ago Albert Châtelet demonstrated that Van der Weyden's Seven Sacraments Altar, long regarded as one of the city's most important fifteenth-century works, had actually been [...] Read More

La Peinture et le Laboratoire: Procédés. Méthodologie. Applications

By Roger Van Schoute and Hélène Verougstraete

(Le dessin sous-jacent et la technologie dans la peinture, Colloque XIII, Bruges, September 15-17, 1999). Leuven: Peeters, 2001. ISBN: 90-429-1047-X

Review published May 2002

This volume brings together the papers presented at the thirteenth colloquium, held at Bruges in September of 1999, dedicated to the investigation of underdrawings and technology in paintings. Edited [...] Read More

The Donor’s Image: Gerard Loyet and the Votive Portraits of Charles the Bold

By Hugo van der Velden

Turnhout: Brepols Publishers, 2000. 285 pp, 133 b&w illus., 16 col. plates. ISBN 2-503-50722-0

Review published May 2002

An appealing volume for the generalist and specialist alike, The Donor’s Image provides an analysis of the history, context, and iconography of one of the world’s most precious and fascinating [...] Read More

Painting and Patronage in Cologne 1300-1500

By Brigitte Corley

London: Harvey Miller, 2000. 342 pp, 280 illus., 30 in color. ISBN 1-8722501-51-6

Review published May 2002

This book – the first such study in English–– traces the development of later medieval painting in Cologne over two centuries, beginning with the emergence of the agitated ‘Zackenstil’ in the wall [...] Read More

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