As the first in a series about Jan (and Hubert?) van Eyck’s Ghent Altarpiece (1432), this volume documents the research and conservation treatment of the exterior panels. It is undoubtedly an [...] Read More

This edited volume was produced to accompany the much anticipated exhibition Borman and Sons: The Best Sculptors, held at M-Museum Leuven from September 20th, 2019 to January 26th, 2020. Like the [...] Read More

As Anne Williams astutely identifies, depictions of Saint Joseph in works of art of the fourteenth to sixteenth century are rife with paradox, a seemingly conflicting combination of ridicule and [...] Read More

Lucidly written and clearly organized, Ingrid Falque’s study focuses on the portraits integrated into religious pictures from the Low Countries between circa 1400 and 1550. The corpus of works [...] Read More

As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More

Joanne Anderson expands our knowledge of Mary Magdalen imagery by analyzing little known Alpine fresco cycles and altarpieces of the saint produced between the late thirteenth and early sixteenth [...] Read More