This edited volume was produced to accompany the much anticipated exhibition Borman and Sons: The Best Sculptors, held at M-Museum Leuven from September 20th, 2019 to January 26th, 2020. Like the [...] Read More
14th and 15th Centuries
Satire, Veneration, and St. Joseph in Art, c. 1300-1550
As Anne Williams astutely identifies, depictions of Saint Joseph in works of art of the fourteenth to sixteenth century are rife with paradox, a seemingly conflicting combination of ridicule and [...] Read More
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Lucidly written and clearly organized, Ingrid Falque’s study focuses on the portraits integrated into religious pictures from the Low Countries between circa 1400 and 1550. The corpus of works [...] Read More
The Image of the City in Early Netherlandish Painting (1400-1550)
As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More
Moving with the Magdalen: Late Medieval Art and Devotion in the Alps
Joanne Anderson expands our knowledge of Mary Magdalen imagery by analyzing little known Alpine fresco cycles and altarpieces of the saint produced between the late thirteenth and early sixteenth [...] Read More
Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts
Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More