14th and 15th Centuries

The Renaissance Nude

By Thomas Kren with Jill Burke and Stephen J. Campbell, eds.

Cat. exh. J. Paul Getty Museum, Los Angeles, October 30, 2018 – January 27, 2019; Royal Academy of Arts, London, March 2 – June 2, 2019. Los Angeles: J. Paul Getty Museum, 2018. xiii, 417 pp, fully illustrated in color. ISBN 978-1-6060-6584-6.

Review published September 2019

This handsomely produced and beautifully illustrated catalogue considers the development of the naturalistic nude in various media produced in northern and southern Europe, c. 1400-1530. It [...] Read More

A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry

By Elizabeth Morrison, ed.

Los Angeles: Getty Publications, 2018. xi, 180 pp, 18 pls, 60 figs. ISBN 978-1-606-06575-4.

Review published September 2019

Jacques de Lalaing, the bon chevalier, a renowned jouster and military commander in the service of Philip the Good, Duke of Burgundy, died in 1453, aged only thirty-two, at the siege of Poeke during [...] Read More

Hans Memling: Portraiture, Piety, and a Reunited Altarpiece

By John Marciari, ed.

Exh. Cat. The Morgan Library & Museum, New York, September 2, 2016 – January 8, 2017. London: Paul Holberton Publishing, 2016. 112 pp, 55 illus. in color. ISBN 978-1-911300-08-3.

Review published September 2019

New York is a city fortunate enough to contain a significant group of paintings by Hans Memling. From portraiture (the Metropolitan Museum of Art’s Tommaso di Folco Portinari and Maria Portinari are [...] Read More

Gardens of Love and the Limits of Morality in Early Netherlandish Art

By Andrea Pearson

Brill’s Studies in Intellectual History, 296; Brill’s Studies on Art, Art History, and Intellectual History, 37. Leiden – Boston: Brill, 2019. xxii, 356 pp, 148 illus., mostly color. ISBN 978-90-04-39295-3 (hardback); 978-90-04-39310—3 (e-book).

Review published August 2019

Pearson sets out to expand and recalibrate the ways that art historians conceptualize early modern garden imagery. Specifically, she challenges an overemphasis on interiority that she sees in modern [...] Read More

Colard Mansion. Incunabula, Prints and Manuscripts in Medieval Bruges

By Evelien Hauwaerts, Evelien de Wilde and Ludo Vandamme, eds.

[Exh. cat. Groeningemuseum, Bruges, March 1 – June 3, 2018.] Ghent: Snoeck, 2018. 256 pp, fully illustrated in color. ISBN 978-94-6161-439-1.

Review published February 2019

This catalogue accompanied the exhibition Haute Lecture by Colard Mansion: Innovating Text and Image in Medieval Bruges, co-organized by Musea Brugge and Openbare Bibliotheek Brugge. Devoting an [...] Read More

Gender, Otherness, and Culture in Medieval and Early Modern Art

By Carlee A. Bradbury and Michelle Moseley-Christian, eds.

Cham, Switzerland: Palgrave Macmillan, 2017. xvii, 244 pp, 26 b&w illus. ISBN 978-3-319-65049-4.

Review published August 2018

In a new blog on intersectionality posted by the Society for the Study of Early Modern Women, literature historian Christina Luckyj confronted tensions that she identified between a contemporary, [...] Read More

Historians of Netherlandish Art Reviews

14th and 15th Centuries