As a religious artifact, The Ghent Altarpiece (1432) radiates the intangible power of Christ’s sacrifice and God’s forgiveness. As a material work of art, Jan van Eyck’s polyptych pulls the narrative [...] Read More
14th and 15th Centuries
Moving with the Magdalen: Late Medieval Art and Devotion in the Alps
Joanne Anderson expands our knowledge of Mary Magdalen imagery by analyzing little known Alpine fresco cycles and altarpieces of the saint produced between the late thirteenth and early sixteenth [...] Read More
Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts
Kathryn Rudy has added a new and beautifully illustrated study to her already extensive bibliography on readers’ interactions with early Netherlandish manuscripts. It is a monumental undertaking. She [...] Read More
The Renaissance Nude
This handsomely produced and beautifully illustrated catalogue considers the development of the naturalistic nude in various media produced in northern and southern Europe, c. 1400-1530. It [...] Read More
A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry
Jacques de Lalaing, the bon chevalier, a renowned jouster and military commander in the service of Philip the Good, Duke of Burgundy, died in 1453, aged only thirty-two, at the siege of Poeke during [...] Read More
Hans Memling: Portraiture, Piety, and a Reunited Altarpiece
New York is a city fortunate enough to contain a significant group of paintings by Hans Memling. From portraiture (the Metropolitan Museum of Art’s Tommaso di Folco Portinari and Maria Portinari are [...] Read More