In a new blog on intersectionality posted by the Society for the Study of Early Modern Women, literature historian Christina Luckyj confronted tensions that she identified between a contemporary, [...] Read More
14th and 15th Centuries
Thresholds and Boundaries. Liminality in Netherlandish Art (1385-1530) (Visual Culture in Early Modernity)
As points of transition, thresholds offer new possibilities, but they also mark boundaries, divisions of time and space. Employing the anthropological theories of Arnold Gennep and Victor Turner, who [...] Read More
Utopia’s Doom: The Graal as Paradise of Lust, the Sect of the Free Spirit and Jheronimus Bosch’s So-Called Garden of Delights (Art & Religion, 8)
Paul Vandenbroeck has been publishing on Bosch since 1981, with his key publication on the Garden of Earthly Delights appearing in a magisterial, two-part article published in Dutch in the 1989 and [...] Read More
In neuem Glanz. Das Schächer-Fragment des Meisters von Flémalle im Kontext / With New Splendour. The Crucified Thief by the Master of Flémalle in Context
This book is the catalogue for a 2017-2018 exhibition at the Liebieghaus Skulpturensammlung in Frankfurt. The exhibition (which, sadly, I have not seen) is a small one, highlighting a single painting, [...] Read More
The Making of Hispano-Flemish Style: Art, Commerce, and Politics in Fifteenth-Century Castile
Ronda Kasl’s text is an indispensable addition to the literature on Isabelline art, an area often on the periphery of current art historical scholarship of the fifteenth century. Kasl addresses this [...] Read More
The Epiphany of Hieronymus Bosch: Imagining Antichrist and Others from the Middle Ages to the Reformation
The “Epiphany” in this book’s title may be read effectively in at least three ways. It refers most directly to Hieronymus Bosch’s great Adoration of the Magi triptych (c.1495) in Madrid, widely known [...] Read More