A frustrated attempt to describe an iceberg opens Into the White, Christopher P. Heuer’s fascinating book on the Arctic as seen and imagined during the European Renaissance. In a pamphlet produced [...] Read More

This slim volume is a catalogue of an “in focus” exhibition, centered around Jan de Beer’s double-sided panel of Joseph and the Suitors and The Nativity in The Barber Institute of Fine Arts, [...] Read More

As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More

With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More

Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More

A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More

Women, the Art of Power. Three Women from the House of Habsburg translates into English the German catalogue to an exhibition at Schloss Ambras in Innsbruck in 2018. The catalogue explores the [...] Read More

Prints in Translation, 1450-1750, is a wide-ranging volume that aims to mark a fundamental shift in print scholarship. Edited by Suzanne Karr Schmidt and Edward H. Wouk, the volume grew out of a [...] Read More

The 2017–2018 Annual of the Royal Museum of Fine Arts Antwerp is completely devoted to Paul Vandenbroeck’s writings on Bosch’s Garden of Earthly Delights. The Annual is divided into two parts; the [...] Read More

Kim Woods’s book on alabaster sculpture of the Late Medieval and early modern periods is an important, welcome addition to recent writings on sculpture. Remarkably comprehensive, this is a [...] Read More

When I first received this book, it fell open at pages 18 and 19, where identical illustrations had been reproduced on each page. I must confess that my first reaction (typical of an academic author [...] Read More