In 2007, Koenraad Jonckheere published a monograph on the relatively little-known, under-studied Antwerp painter, Adriaen Thomasz. Key: Adriaen Thomasz. Key (c. 1545 - c. 1589): Portrait of a [...] Read More
16th Century
Early Netherlandish Drawings 1400-1600
Accompanying an exhibition of its spectacular holdings of Netherlandish drawings, the British Museum has issued its richly illustrated definitive catalogue of collection highlights, the first in [...] Read More
Beached Whale Images in Sixteenth-Century Antwerp. Symbols of Humanity’s Dominion over the Earth
Today, when a whale of any kind (what Ryan Gregg often calls “cetaceous units”) gets stranded on a beach, support is mobilized to keep the animal hydrated and to prepare the creature for return to the [...] Read More
Borman in Context; Un trésor dévoilé: Le Retable de l’Adoration des Mages du xve siècle conservé à la Basilique San Nazaro Maggiore à Milan. Un chef-d’œuvre bruxellois de Jan Borman; Borman. A Family of Northern Renaissance Sculptors
The Bormans were a family of sculptors who dominated sculptural production in Brussels from the late fifteenth century through the first third of the sixteenth century. Their works significantly [...] Read More
Early Modern Print Media and the Art of Observation: Training the Literate Eye
Few topics have attracted more attention in recent literature on the intersections of early modern art, science, and intellectual history than the “epistemic image.” This is a type of visual culture [...] Read More
Dürer’s Coats: Renaissance Men and Material Cultures of Social Recognition
In a letter written from Venice on September 8, 1506, two of Albrecht Dürer’s garments said hello to the humanist Willibald Pirckheimer: “My French mantle greets you and my Italian coat also.” [...] Read More