Spectacle, Rhetoric and Power by Stijn Bussels is certainly a valuable, praiseworthy contribution to the growing literature on Netherlandish festivals. It offers a thorough monographic study of the [...] Read More
16th Century
Stradanus 1523-1605: Court Artist of the Medici
Alessandra Baroni, Manfred Sellink, curator Till-Holger Borchert (one of the members of the exhibition committee), and a team of scholars have collaborated to produce this informative and handsome [...] Read More
Rom zeichnen. Maarten van Heemskerck 1532-1536/37 (Humboldt-Schriften zur Kunst- und Bildgeschichte VIII)
Published as volume 8 in the Humboldt-Schriften zur Kunst- und Bildgeschichte, this instructive volume on Maarten van Heemkerck’s Roman drawings is a welcome addition to Van Heemskerck scholarship. [...] Read More
Drama and Devotion. Heemskerck’s Ecce Homo Altarpiece from Warsaw
Focus exhibitions have emerged to highlight the many pleasures of the Getty Museum (see also the review of the exhibition around Rubens’s Man in Korean Costume in this issue). Often they are [...] Read More
Jan Rombouts: The Discovery of an Early Sixteenth-Century Master in Louvain (Ars Nova 16)
Yvette Bruijnen’s book culminates more than a decade of research in a neglected field: painting in sixteenth-century Leuven (Louvain). Notwithstanding Edward van Even’s magisterial L’ancienne école de [...] Read More
Jan Gossart: The Documentary Evidence (Studies in Medieval and Early Renaissance Art History, 65)
Documentary source volumes offer a great resource for the study of Renaissance artists, but they also pose challenges. Compilers of such volumes face not only the labor of transcribing and editing [...] Read More