Beautifully illustrated and clearly written, Margaret Carroll's book examines a selection of fifteenth-, sixteenth-, and seventeenth-century works of art through the filter of political and social [...] Read More
16th Century
Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe (Proteus: Studies in Early Modern Identity Formation, 1)
This volume is the first in the series Proteus: Studies in Early Modern Identity Formation, and it is based on papers from the first Lovis Corinth Colloquium, held at Emory University in April 2003. [...] Read More
Making and Marketing: Studies of the Painting Process in Fifteenth- and Sixteenth-Century Netherlandish Workshops
Few individuals have made as many, or as significant, contributions to the field of “technical art history” than Molly Faries. Through her solo research studies, her collaborative partnerships with [...] Read More
Henry VIII and the Art of Majesty. Tapestries at the Tudor Court
[...] Read More
Florissant: Bijdragen tot de kunstgeschiedenis der Nederlanden (15de – 17de eeuw). Liber Amicorum Carl Van de Velde
The writings of Carl Van de Velde are well-known to all students of Netherlandish art. The publication Florissant – its title a play on one of Van de Velde’s favorite subjects – serves as a [...] Read More
Adriaen Thomasz. Key (c. 1545-c. 1589, Portrait of a Calvinist Painter (Pictura Nova, XIV)
Until the publication of this dedicated rescue operation, Adriaen Thomasz. has been one of the most ill-defined artists working in Antwerp during the turbulent times of the second half of the [...] Read More