Why did the motif of landscape develop from a backstage prop into a self-sufficient genre in Flemish painting around the middle of the sixteenth century? What did this mean to the contemporary viewer? [...] Read More
16th Century
Die Druckgraphik Lucas van Leydens und seiner Zeitgenossen. Bestandes-katalog der Graphischen Sammlung der ETH Zürich
Almost two decades have elapsed since the last large-scale exhibition devoted to this subject: the joint presentation of museums in Philadelphia and Boston: The Prints of Lucas van Leyden and his [...] Read More
Hans Holbein the Younger. A Guide to Research
In art historical literature it is deemed desirable to gather, at regular intervals, clearly organised bibliographic lists of what has been written about artists up to that point. That this makes good [...] Read More
The Madonnas of Jan van Scorel (1495-1562). Serial Production of a Cherished Motif
This is the catalogue of a small, intelligent exhibition held at the Centraal Museum, April 8 - July 2, 2000. At the core of the exhibition were two paintings by Jan van Scorel belonging to the [...] Read More
Pieter Bruegel: Parables of Order and Enterprise
In Bruegel's Battle between Carnival and Lent, in Vienna, the beholder is given an elevated viewpoint from which to take in a city square crowded with a bewildering array of activities, objects, [...] Read More
Proceedings of Two Symposiums
Fiamminghi a Roma, 1508-1608. Proceedings of the symposium held in Brussels, February 24-25, 1995, edited by Nicole Dacos (Bolletino d'arte, Supplement to no. 100, 1997). Rome: Istituto Poligrafico e [...] Read More