In the history of European printmaking, engravers seem to get all the ink. In contrast, woodcut designers, let alone their block cutters, often remain obscure, and only during the past generation, [...] Read More
16th Century
The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries: Multiplied and Modified
As its title’s use of the word “reception” suggests, this anthology presents essays on responses to prints. The foregrounding of reception may daunt some scholars. After all, as an interpretive model, [...] Read More
Many Antwerp Hands. Collaborations in Netherlandish Art
Growing out of a 2018 conference at the Rubenianum in Antwerp, this cluster of essays interrogates a significant phenomenon in Antwerp painting, especially from the seventeenth century: collaboration [...] Read More
Copies of Flemish Masters in the Hispanic World: Flandes by Substitution
The fourteen essays in this volume focus on the Spanish reception of Flemish painters and paintings from the fifteenth to the seventeenth centuries. The essays are arranged in chronological order and [...] Read More
Maarten van Heemskerck. Römische Studien zwischen Sachlichkeit und Imagination
Tatjana Bartsch’s book on Maarten van Heemskerck (1498–1574, in Rome 1532–c. 1537) delivers the most thorough analysis to date of the artist’s extant corpus of Roman drawings. As renowned as is [...] Read More
Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liège and the Question of Partial Paint Practices in the Sixteenth Century
This book contains twenty articles (about half in English and half in French, all with English abstracts) from a 2015 international symposium held at the Royal Institute for Cultural Heritage [...] Read More