A frustrated attempt to describe an iceberg opens Into the White, Christopher P. Heuer’s fascinating book on the Arctic as seen and imagined during the European Renaissance. In a pamphlet produced [...] Read More
16th Century
‘Truly Bright and Memorable’: Jan de Beer’s Renaissance Altarpieces
This slim volume is a catalogue of an “in focus” exhibition, centered around Jan de Beer’s double-sided panel of Joseph and the Suitors and The Nativity in The Barber Institute of Fine Arts, [...] Read More
Renaissance Illuminators in Paris: Artists & Artisans 1500-1715
As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More
The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510-1610
With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More
Pieter Bruegel the Elder. Religious Art for the Urban Community
Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More
Maarten van Heemskerck’s Rome: Antiquity, Memory, and the Cult of Ruins
A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More