Growing out of a 2018 conference at the Rubenianum in Antwerp, this cluster of essays interrogates a significant phenomenon in Antwerp painting, especially from the seventeenth century: collaboration [...] Read More
16th Century
Copies of Flemish Masters in the Hispanic World: Flandes by Substitution
The fourteen essays in this volume focus on the Spanish reception of Flemish painters and paintings from the fifteenth to the seventeenth centuries. The essays are arranged in chronological order and [...] Read More
Maarten van Heemskerck. Römische Studien zwischen Sachlichkeit und Imagination
Tatjana Bartsch’s book on Maarten van Heemskerck (1498–1574, in Rome 1532–c. 1537) delivers the most thorough analysis to date of the artist’s extant corpus of Roman drawings. As renowned as is [...] Read More
Flesh, Gold and Wood: The Saint-Denis Altarpiece in Liège and the Question of Partial Paint Practices in the Sixteenth Century
This book contains twenty articles (about half in English and half in French, all with English abstracts) from a 2015 international symposium held at the Royal Institute for Cultural Heritage [...] Read More
Vie de Lambert Lombard (1565)
Dominicus Lampsonius has long been acknowledged as an important figure in the historiography of European art. He is perhaps best known for his role as the author of Latin inscriptions on the Effigies [...] Read More
Pieter Bruegel, Mayken Verhulst en Mechelen. Het begin van een wonderlijke Schildersdynastie
This useful yet curious volume is actually a reprint, updated with new archival findings of a 2005 volume (Antwerp: Plantin-Moretus Museum) with a similar title, Mayken Verhulst. De turkse Manieren [...] Read More