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16th Century

Mary of Hungary, Renaissance Patron and Collector. Gender, Art and Culture

By Noelia García Pérez, ed.

Centre d’Études Supérieures de la Renaissance, Université de Tours, Centre National de la Recherche Scientifique: Collection Études Renaissance. Turnhout: Brepols Publishers, 2020. 231 pp, 51 illus in b&w and color. ISBN 978-2-503-58948-0.

Review published March 2021

Feminist art history has recovered early modern women patrons of great importance, most notably in the ground-breaking exhibition, Women of Distinction (Mechelen, 2005; organized by Dagmar [...] Read More

Antwerp in the Renaissance

By Bruno Blondé and Jeroen Puttevils, eds.

Studies in European Urban History, 49. Turnhout: Brepols Publishers, 2020. 315 pp, 61 illus. ISBN 978-2-503-58833-9.

Review published November 2020

Students of visual culture in the cities of the Netherlands have learned to attend to a variety of imagery that formerly were omitted from consideration as "art," especially printed images that also [...] Read More

Into the White: The Renaissance Arctic and the End of the Image

By Christopher Heuer

New York: Zone Books, 2019. 262 pp, 69 b&w illus. ISBN 978-1942-13014-7.

Review published June 2020

A frustrated attempt to describe an iceberg opens Into the White, Christopher P. Heuer’s fascinating book on the Arctic as seen and imagined during the European Renaissance. In a pamphlet produced [...] Read More

‘Truly Bright and Memorable’: Jan de Beer’s Renaissance Altarpieces

By Dan Ewing, Peter van den Brink, and Robert Wenley

Exh. cat. Barber Institute of Fine Arts, Birmingham University, October 25, 2019 – January 19, 2020. London: Paul Holberton Publishing, 2019. 95 pp, 62 color illus. ISBN 978-1-911300-72-4.

Review published April 2020

This slim volume is a catalogue of an “in focus” exhibition, centered around Jan de Beer’s double-sided panel of Joseph and the Suitors and The Nativity in The Barber Institute of Fine Arts, [...] Read More

Renaissance Illuminators in Paris: Artists & Artisans 1500-1715

By Richard H. Rouse and Mary A. Rouse

London: Harvey Miller Publishers. An Imprint of Brepols Publishers, Turnhout, 2019. 280 pp, 65 color illus. ISBN: 978-1-912554-28-7.

Review published April 2020

As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More

The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510-1610

By Karl A.E. Enenkel

Brill’s Studies in Art, Art History, and Intellectual History, vol. 295-36. Boston – Leiden: Brill, 2018. 460 pp, xxxv, 156 illus. ISBN 978-90-04-38725-6.

Review published March 2020

With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More

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