As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More
16th Century
The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510-1610
With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More
Pieter Bruegel the Elder. Religious Art for the Urban Community
Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More
Maarten van Heemskerck’s Rome: Antiquity, Memory, and the Cult of Ruins
A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More
Women. The Art of Power. Three Women from the House of Habsburg
Women, the Art of Power. Three Women from the House of Habsburg translates into English the German catalogue to an exhibition at Schloss Ambras in Innsbruck in 2018. The catalogue explores the [...] Read More
Niederländische Maler in Italien: Künstlerreisen und Kunstrezeption im 16. Jahrhundert
Maria Harnack offers a broad-view examination of sixteenth-century Netherlandish artists in Italy. She begins Chapter One’s first section, travel to the Eternal City, by citing a few key contributors [...] Read More