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16th Century

Into the White: The Renaissance Arctic and the End of the Image

By Christopher Heuer

New York: Zone Books, 2019. 262 pp, 69 b&w illus. ISBN 978-1942-13014-7.

Review published June 2020

A frustrated attempt to describe an iceberg opens Into the White, Christopher P. Heuer’s fascinating book on the Arctic as seen and imagined during the European Renaissance. In a pamphlet produced [...] Read More

‘Truly Bright and Memorable’: Jan de Beer’s Renaissance Altarpieces

By Dan Ewing, Peter van den Brink, and Robert Wenley

Exh. cat. Barber Institute of Fine Arts, Birmingham University, October 25, 2019 – January 19, 2020. London: Paul Holberton Publishing, 2019. 95 pp, 62 color illus. ISBN 978-1-911300-72-4.

Review published April 2020

This slim volume is a catalogue of an “in focus” exhibition, centered around Jan de Beer’s double-sided panel of Joseph and the Suitors and The Nativity in The Barber Institute of Fine Arts, [...] Read More

Renaissance Illuminators in Paris: Artists & Artisans 1500-1715

By Richard H. Rouse and Mary A. Rouse

London: Harvey Miller Publishers. An Imprint of Brepols Publishers, Turnhout, 2019. 280 pp, 65 color illus. ISBN: 978-1-912554-28-7.

Review published April 2020

As Richard and Mary Rouse explain in their acknowledgments, “the impetus for this book came from Myra Orth,” whose lifework was the study of illuminated manuscripts of the Renaissance period in [...] Read More

The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510-1610

By Karl A.E. Enenkel

Brill’s Studies in Art, Art History, and Intellectual History, vol. 295-36. Boston – Leiden: Brill, 2018. 460 pp, xxxv, 156 illus. ISBN 978-90-04-38725-6.

Review published March 2020

With its focus on emblems, the present study directly addresses topics of interest to historians of Netherlandish art. This contribution is due to the significant production of emblem books by Dutch [...] Read More

Pieter Bruegel the Elder. Religious Art for the Urban Community

By Barbara A. Kaminska

Leiden: Brill, 2019. 241 pp. 37 illus. ISBN 978-90-04-40039-9.

Review published November 2019

Peasant subjects have always received the focus in Pieter Bruegel studies, at the expense of all but a few of his religious subjects. Despite the recent appearance of another volume from Brill, Pieter [...] Read More

Maarten van Heemskerck’s Rome: Antiquity, Memory, and the Cult of Ruins

By Arthur J. DiFuria

Brill’s Studies in Intellectual History, volume 287; Brill’s Studies on Art, Art History, and Intellectual History, volume 31. Leiden; Boston: Brill, 2019. 523 pp. 89 color ills. ISBN 978-90-04-38046-2

Review published November 2019

A view of the Septizonium by Maarten van Heemskerck (1498–1574) captures why the artist’s drawings of Roman ruins count among the most evocative and enigmatic images ever made of the oft-depicted [...] Read More

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