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Book Reviews

Painting and the Market in Early Modern Antwerp

By Elizabeth Alice Honig

(Yale University Press: Yale Publications in the History of Art Series). New Haven: Yale University Press, 1998. 308 pp, 24 col., 100 b&w illus. ISBN 0-300-07239-2

Review published November 2000

One can only hope that Elizabeth Honig's astute book will find a broad scholarly audience equal to its scope and implications. For her ostensible subject is topical: Antwerp market-scene paintings, [...] Read More

Kunst voor de Markt/Art for the Market, 1500-1700 (Nederlands Kunsthistorisch Jaarboek/Netherlands Yearbook for History of Art, vol. 50, 1999)

By Reindert Falkenburg, Jan de Jong, Dulcia Meijers, Bart Ramakers, Mariët Westermann (eds.)

Zwolle: Uitgeverij Waanders, 2000. 280 pp, 91 b&w illus. ISBN 90-400-9420-9

Review published November 2000

When the author of the first history of Netherlandish art, Karel van Mander, looked back on the origins of his subject, he would note that "in the time of the two Van Eycks, the city of Bruges was [...] Read More

Hof-, Staats- en Stadsceremonies/Court, State and City Ceremonies (Nederlands Kunsthistorisch Jaarboek/Netherlands Yearbook for History of Art, vol. 49, 1998)

By Mark A. Meadow (ed.

Zwolle: Uitgeverij Waanders, 1998. 320 pp, 100 b&w illus. ISBN 90-400-9266-4

Review published November 2000

The Nederlands Kunsthistorisch Jaarboek stands apart from the majority of art history periodicals by its policy of devising every issue around a single theme. Recent volumes devoted to a single [...] Read More

Bruges and the Renaissance: Memling to Pourbus

By Maximiliaan P. J. Martens, ed.

Cat. Exh. Memlingmuseum_Oud-Sint-Janshospitaal, Brugge. Ghent: Stichting Kunstboek/Ludion 1998. 319 pp, ISBN 90-5544-233-X (paper), 90-5544-234-8 (hardback); also available in Dutch, French and German

Review published November 2000

A second volume to the catalogue appears as: Maximiliaan P. J. Martens, ed., Bruges et la Renaissance. De Memling à Pourbus: Notices [Cat. Exh.] Ghent: Ludion/Flammarion Stichting Kunstboek, 1998. [...] Read More

Rubens and His Spanish Patrons

By Alexander Vergara

Cambridge and New York: Cambridge University Press, 1999. 278 pp, 86 b&w illus. ISBN 0-521-63245-5

Review published November 2000

Probably the most internationally active painter of his day, Rubens catered to the artistically-refined taste of the courts of England, France and Spain by providing individual works, often of a [...] Read More

Kunst in de Bank. een keuze van Rubens tot Magritte

By Arnout Balis and Piet Coessens

Antwerp: Mercatorfonds, 1997. 170 pp, 194 entries with col. illus. ISBN 90-6153-404-6 (hardcover), 90-6153-406-2 (softcover)

Review published May 2000

The book was published on the occasion of the exhibition held at the Paleis voor Schone Kunsten, Brussels, October 24, 1997 - January 4, 1998. The Belgian branch of the Paris bank Paribas (now [...] Read More

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