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Book Reviews

Images of Death. Rubens Copies Holbein

By Kristin Lohse Belkin and Carl Depauw, eds.

With contributions by Michael Kwakkelstein, Kristin Lohse Belkin and Volker Manuth [Published on the occasion of the exhibition: Rubens, Holbein and the Dance of Death. On the Acquisition of a Sketchbook, Rubenshuis, Antwerp, April 8 – June 12, 2000]. Ghent: Snoeck-Ducaju & Zoon; Antwerp: Rubens-huis, 2000. 140 pp, 47 col. pls, 97 b&w illus. ISBN 90-5349-320-4

Review published April 2001

Credit is due to the Stedelijk Prentenkabinet and the Rubenshuis in Antwerp for, respectively, acquiring and exhibiting 44 pen and wash drawings by the young Rubens after the Images of Death, the [...] Read More

Fifteenth- to Eighteenth-Century European Drawings in the Robert Lehman Collection

By Egbert Haverkamp-Begemann, Mary Taverner Holmes, Fritz Koreny, Donald Posner, and Duncan Robinson

New York: The Metropolitan Museum of Art; Princeton, NJ: Princeton University Press, 1999. 488 pp, 76 col. 312 b&w illus. ISBN 0-87099-918-4

Review published April 2001

One of sixteen catalogues of the extensive Lehman collection of paintings, sculpture, decorative arts and Islamic and Asian art, this volume covers the 153 European drawings that were brought together [...] Read More

Made in Flanders. The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Philip the Good

By Gregory T. Clark

(Ars Nova. Studies in Late Medieval and Renaissance Northern Painting and Illumination). Turnhout: Brepols, 2000. 499 pp, 24 colour plates, 234 b&w figs. and 104 comparative b&w illus. ISBN 2-503-50878-2

Review published April 2001

The Ghent Privileges Master (fl. 1440-60) was first noticed by Friedrich Winkler in connection with the manuscript in Vienna (cod. 2583). Clark assembles an oeuvre for this artist and his successor, [...] Read More

The Hours of Isabel La Católica. The Facsimile Edition

By Gregory T. Clark (commentary)

Madrid: Testimonio Compaña Editorial; Münster: Verlag Biblioteca Rara, 1997. 31 colour plates from the Hours and 36 comparative figures in colour and black and white. ISBN 84-88829-33-7

Review published April 2001

id-fifteenth-century Flemish manuscript illumination needs more focused studies such as this one. Unfortunately it is not available separately from the facsimile, although the illustration is adequate [...] Read More

L’âge d’or du manuscrit à peintures en France au temps de Charles VI et Les Heures du Maréchal Boucicaut

By Albert Châtelet

Paris: Institut de France; Dijon: Editions Faton, 2000. 340 pp, approximately 200 illus. ISBN 2-87844-040-4

Review published April 2001

Albert Châtelet’s handsome, slip-cased treatment of one of the richest eras of French manuscript painting, the several decades around 1400 that included the Très riches Heures, is divided neatly into [...] Read More

Jacob Jordaens: Design for Tapestries (Pictura Nova, Studies in 16th- and 17th-Century Flemish Painting and Drawing, V)

By Kristi Nelson

Turnhout: Brepols, 1998. 376 pp, 206 b&w illus. ISBN 2-503-50578-3

Review published November 2000

Considering that Jacob Jordaens was the most prolific designer for tapestry in the Southern Netherlands in the seventeenth century, it is remarkable that up until now we have had to rely on Max [...] Read More

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