Ed. by Jeffrey M. Muller and Jim Murrell. New Haven and London: Yale University Press (published for the Paul Mellon Centre for British Art), 1997. XII, 297 pp, 16 illus., 8 in col. ISBN 0-300-06913-8
Edward Norgate was a gentleman employed in the service of the early Stuart kings. Emerging from an academic background (his father was vice-chancellor of Cambridge), he evinced strong artistic [...] Read More
Antwerp: Mercatorfonds, 1997, 429 pp, 467 col. pls, ISBN 90-6153-400-3
Strangely, the pictorial linkages between Flanders and Holland in the seventeenth century remain one of the mysterious, grey areas in the history of art, exemplifying the Netherlandish proverb of [...] Read More
(Yale University Press: Pelican History of Art Series). New Haven: Yale University Press, 1999. 288 pp, 100 col., 300 b&w illus. ISBN 0-300-07038-1
This is a cautious, lucid and full overview of the visual arts in seventeenth-century Flanders with a welcome breadth of illustration. An excellent range of colour plates allows the reader to [...] Read More