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Book Reviews

The Shadow of Rubens: Print Publishing in 17th-Century Antwerp (The Print Collection of the Royal Library, 2)

By Ann Diels

London: Harvey Miller Publishers; Turnhout: Brepols, 2009. ISBN 978-1-905375-50-9

Review published November 2012

In her book, The Shadow of Rubens: Print Publishing in 17th-Century Antwerp, Ann Diels provides a study of the printmaking activities of three of Antwerp’s most important, yet relatively unheralded [...] Read More

Seventeenth-Century Flemish Garland Paintings. Still Life, Vision and the Devotional Image

By Susan Merriam

Burlington, VT: Ashgate 2011. 214 pp, 28 color, 31 b&w illus. ISBN 978-1-4094-0305-0

Review published November 2012

Garlands of fruits and flowers surround eucharistic still lifes or pay homage to religious images or visions. Intended as trompe l’oeils, they form illusionistic frames within the picture frames. [...] Read More

Flemish Paintings of the Seventeenth Century in South African Public Collections

By Bernadette Van Haute

Pretoria: Unisa Press, 2006. 182 pp, 93 color, 34 b&w illus. ISBN 1- 86888-382-0

Review published November 2012

Bernadette Van Haute’s catalogue of Flemish paintings in public collections in South Africa refines Gillian Carman’s checklist published in 1994. Thanks to her further research a number of paintings [...] Read More

The Bruegel Phenomenon. Paintings by Pieter Bruegel the Elder and Pieter Brueghel the Younger with a Special Focus on Technique and Copying Practice (Scientia Artis, 8)

By Christina Currie and Dominique Allart

Brussels: Royal Institute for Cultural Heritage, 2012. 3 vols, fully illus. ISBN 978-2-930054-14-8

Review published November 2012

Bruegel is our superstar of the secular. Every year, legions of fans flock to Vienna to experience Bruegel’s depictions of glorious vulgarity, the common man celebrated with uncommon virtuosity and [...] Read More

The Early Dürer

By Daniel Hess and Thomas Eser, eds.

Cat. exh. Germanisches Nationalmuseum, Nuremberg, May 24 – September 2, 2012. Nuremberg: Verlag des Germanischen Nationalmuseums; London/NewYork: Thames and Hudson, 2012. 604 pp, 380+ illus., most in color. ISBN 978-0-50097-037-9

Review published November 2012

After four decades of professional study, I realize that exhibitions are cyclical, coming around every generation, whether for artists at the Museum of Modern Art (Pollock, Bonnard) or leading old [...] Read More

Geteiltes Leid: Die Passion Christi in Bildern und Texten der Konfessionalisierung

By Birgit Ulrike Münch

Regensburg: Verlag Schnell & Steiner, 2009. 487 pp, 263 illus. ISBN 978-3-7954-2174-8

Review published November 2012

Geteiltes Leid brings together a number of fields normally discrete from one another: the Passion, word and image, confessionalization. With growing interest in the body, psychological formation, and [...] Read More

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