The Germanisches Nationalmuseum in Nuremberg possesses around 250 German and Austrian paintings from the fourteenth and fifteenth centuries. Most pictures are by now anonymous masters who are, not [...] Read More
Germany and Central Europe
Perfection’s Therapy. An Essay on Albrecht Dürer’s Melencolia I
Mitchell B. Merback’s most recent book, Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I, argues that this celebrated and much-discussed engraving incites a therapeutic or healing [...] Read More
Perspectives on Wenceslaus Hollar
Only the most renowned printmakers ever seem to get closer analysis. But Wenceslaus Hollar, the multinational etcher (1607 Prague-1677 London), has chiefly received exhibition attention only, so this [...] Read More
Albrecht Dürer & the Epistolary Mode of Address
This intriguing and ambitious book seeks to make a major contribution to the field by proposing the existence and importance of an “epistolary mode of artistic address,” which Dürer “played a large [...] Read More
Aus aller Herren Länder. Die Künstler der “Teutschen Academie” von Joachim von Sandrart
Until very recently, one of the most neglected of all foundational primary sources in European painting history remained Sandrart's Teutsche Academie (1675; Latin edition 1683), including a reliable [...] Read More
Michael Pacher: Zwischen Zeiten und Räumen
In German art, the question a "Northern Renaissance" and when (or if) it occurred usually centers around such turn-of-the-epoch figures as Albrecht Dürer and the magic year 1500. Moreover, dominant [...] Read More