This first volume in the new Brepols Early Modern Cultural Studies series centers on the extraterritorial career of an individual Netherlandish artist, Willem van den Blocke, in order to offer larger [...] Read More
Germany and Central Europe
Hans Holbein. The Artist in a Changing World
Hans Holbein (c. 1497/98–1543) has generated plenty of scholarship in the form of catalogues of paintings, drawings and prints as well as serious exhibition catalogues and scholarly monographs. But he [...] Read More
Die Gemälde des Spätmittelalters im Germanischen Nationalmuseum. Vol. 1: Franken, Parts 1 and 2.
The Germanisches Nationalmuseum in Nuremberg possesses around 250 German and Austrian paintings from the fourteenth and fifteenth centuries. Most pictures are by now anonymous masters who are, not [...] Read More
Perfection’s Therapy. An Essay on Albrecht Dürer’s Melencolia I
Mitchell B. Merback’s most recent book, Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I, argues that this celebrated and much-discussed engraving incites a therapeutic or healing [...] Read More
Perspectives on Wenceslaus Hollar
Only the most renowned printmakers ever seem to get closer analysis. But Wenceslaus Hollar, the multinational etcher (1607 Prague-1677 London), has chiefly received exhibition attention only, so this [...] Read More
Albrecht Dürer & the Epistolary Mode of Address
This intriguing and ambitious book seeks to make a major contribution to the field by proposing the existence and importance of an “epistolary mode of artistic address,” which Dürer “played a large [...] Read More