I always thought that the term "expressive" was a modernist or twentieth-century concept, in which the depiction of figure types and formal elements conjured up a peculiar state of mind or conveyed [...] Read More
Germany and Central Europe
Men of Taste. Essays on Art Collecting in East-Central Europe
A milestone in art history scholarship was laid down a quarter-century ago with the founding of the Journal of the History of Collections, and incrementally our gaps of knowledge of provenance and [...] Read More
Two New Studies on Dürer
Stephanie Buck and Stephanie Porras, The Young Dürer: Drawing the Figure. Cat. exh. Courtauld Gallery, London, October 17, 2013 – January 12, 2014. London: Courtauld Gallery 2013. 287 pp, fully [...] Read More
Albrecht Dürer. His Art in Context
Hard on the heels of the blockbuster Nuremberg exhibition, The Early Dürer, of last year (reviewed in this journal November 2012), Frankfurt now presents its own reassessment with a wider reach. Let [...] Read More
Hans von Aachen in Context
The major 2010-11 exhibition, Hans von Aachen (1552-1615): A Court Artist in Europe generated widespread interest at its three venues (Aachen-Prague-Vienna) and occasioned an international conference [...] Read More
Imperial Augsburg: Renaissance Prints and Drawings 1475-1540
During the Renaissance, the imperial city of Augsburg in southern Germany became an important artistic center. Its financial prosperity in banking and trade – as seen in the enormous wealth of the [...] Read More