CONTENTS
ANNE MARGREET W. AS-VIJVERS
Manuscript production in the monastery of St Hieronymusdal in Lopsen, near Leiden
ILJA M. VELDMAN
Artistic innovation in Maarten van Heemskerck’s portraits after 1537 and new identifications in the light of his social network
KOENRAAD BROSENS & INEZ DE PREKEL
Antwerp as a production center of paintings (1629-1719): A qualitative and quantitative analysis
MARIEKE MAATHUIS
An aesthetic of devotion: Ary Scheffer and the Dutch Réveil