This exhibition unites the Master of Meßkirch's oeuvre for the first time. "The Master of Meßkirch" takes his name from his major work: the altarpieces of the collegiate church of St. Martin in More Info
Arcimboldo: The Floras and Spring
This exhibition brings together theworks by Arcimboldo housed in Spanish collections, including Flora (1589) and Flora meretrix (c. 1590). loaned from a private collection and Spring (1563), loaned by More Info
Rueland Frueauf the Elder and his Circle
This exhibition is dedicated to Rueland Frueauf the Elder, documented in Salzburg and Passau between 1470 and 1507, one of the most significant Late Gothic painters in the German speaking area. The More Info
The Art of Power: Habsburg Women in the Renaissance
This is the first exhibition dedicated to a comparative analysis of female courtly patronage in the Renaissance, focusing on three remarkable women rulers and collectors of the House of the Habsburgs: More Info
“He First Brought it to Perfection”: John Smith and the Mezzotint in Early Modern England
The new printmaking technique of mezzotint found a modest audience in continental Europe, but, around 1700, it achieved incredible popularity in England. This exhibition focuses on the More Info
The Paston Treasure: Microcosm of the Known World
The Yale Center for British Art will present an exhibition featuring the enigmatic masterpiece The Paston Treasure (ca. 1663) in its North American debut. The Paston Treasure was commissioned around More Info