Memoirs of the Print Trade, introduction by Antony Griffiths and contributions by Gordon Cooke, Alan Cristea, Adrian Eeles, D. Lesley Hill and Alan N. Stone, Armin Kunz, Christopher Mendez, Frederick Mulder, Hubert Prouté, Mary Ryan and David Tunick.
Notes
The ‘Colour-Tone Print’: Innovation in the Construction of the Body by Elizabeth Savage
Étienne Delaune (1518/19-83) by Catherine Jenkins
Prints after Raphael, from Marcantonio Raimondi to Giulio Bonasone by Anne Bloemacher
Prints after Designs by Antoine Caron by Ketty Gottardo
Rubens as Designer of Title-Pages by Hans Jakob Meier
Thomas Hobbes’s Leviathan (1651) by Michael Hunter
The History of the Wig by Elizabeth L. Block
William Blake at Tate Britain by Richard Taws
Maine’s Lithographic Landscapes by Lindsay Leard-Coolidge
From Australia to the British Museum by Mark Macdonald
Max Sulzbachner (1904-85) by Christian Rümelin
The Woodcut in Italy in the Twentieth Century by Martin Hopkinson
Le Livre Futuriste Italien by Stephen J. Bury
Siemen Dijkstra – à bois perdu by Judith Brodie
Contemporary Prints from the Middle East and North Africa at the British Museum by Alex Dika Seggerman
Corrections to ‘Wenceslaus Hollar’s Muscarum scarabeorum verminiumque varie figure Anatomized and Identified’ by Marc Stocker, Julia Kaspar and Phil Sirvid.
Obituary for Michael Bury (1947-2021) by Mark McDonald
Catalogue and Book Reviews
Early Assemblage of Manuscript and Print by David S. Areford
Jacob Cornelisz. ‘Van Oostsanen’ by Daantje Meuwissen
Bruegel: The Complete Graphic Works by Nadine M. Orenstein
Jacob Christoff Le Blon and Trichromatic Printing by Hans Jakob Meier
The Kimono in Print by Anna Jackson
The issue also contains a note on Gitta Bertram’s dissertation publication, Peter Paul Rubens as Designer of Title Pages: Title Page Production and Design in the Seventeenth Century, which analyzes Rubens’s (1577-1640) contribution to the art of title page design in the context of book production.
About Print Quarterly
Print Quarterly is the leading international journal dedicated to the art of the print from its origins to the present. It is peer-reviewed. The Journal publishes recent scholarship on a wide range of topics, including printmakers, iconography, social and cultural history, popular culture, print collecting, book illustration, decorative prints, and techniques such as engraving, etching, woodcutting, lithography and digital printmaking. For subscriptions see www.printquarterly.com