Contents of Volume XXXIX (2022), No. 4
The Sadelers: From Printmakers to Booksellers by Karen L. Bowen
The 1604 Služebnik from Stratyn, Ukraine, and its Afterlife by Agnieszka Gronek
Some Italian Importers of British Prints in the 1780s by Antony Griffiths and Giorgio Marini
The Society of Artist Printers / Printmakers, 1922–47 by Martin Hopkinson
Notes
Special Collections in Augsburg (Sole Survivors & Rare Editions – Unikale, Seltene und Illuminierte Inkunabeln der Staats- und Stadtbibliothek Augsburg) by Paul Schweitzer-Martin
The True Identity of Heinrich Aldegrever’s Judith and her Origins by Andrew S. Winston
Parmigianino’s ‘Almost Unique’ Judith by Bernard Barryte
Georgette de Montenay’s Emblemes, ou Devises Chrestiennes (Un ‘miroir’ calviniste: ‘Les Emblemes, ou Devises chrestiennes’ de Georgette de Montenay et Pierre Woeiriot, 1567/1571) by Alicja Bielak
Piranesi and Spain (Giovanni Battista Piranesi en la Biblioteca Nacional de España) by Giorgio Marini
The Print Collection of Horace His de La Salle (1795–1878) by Laurence Lhinares
Tate Collection: Three Hundred Years of Printmaking (The Art of Print) by Paul Coldwell
Celebrating Budapest’s Drawings and Prints (The Paper Side of Art) by Rachel Sloan
Contemporary Print Series (Serien: Druckgraphik von Warhol bis Wool / Series: Prints from Warhol to Wool) by Judith Brodie
Publications Received
Catalogue and Book Reviews
Sculpture in Print, 1480–1600 by Joris van Gastel
Agostino Carracci and Hendrick Goltzius (Crossing Parallels) by Marzia Faietti
Aquatint: From Its Origins to Goya by Anne Leonard
Expressionism and Poster Design in Germany by Christian Weikop
Jasper Johns: Mind/Mirror by John A. Tyson
Australian Artists, 1942–2020 (Printed Images by Australian Artists 1942–2020) by Irena Zdanowicz
Print Quarterly website: https://printquarterly.co.uk/