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Print Quarterly December 2022 (Vol. XXXIX, No. 4) Issue Published

Contents of Volume XXXIX (2022), No. 4

 The Sadelers: From Printmakers to Booksellers by Karen L. Bowen

The 1604 Služebnik from Stratyn, Ukraine, and its Afterlife by Agnieszka Gronek

Some Italian Importers of British Prints in the 1780s by Antony Griffiths and Giorgio Marini

The Society of Artist Printers / Printmakers, 1922–47 by Martin Hopkinson

Notes

Special Collections in Augsburg (Sole Survivors & Rare Editions – Unikale, Seltene und Illuminierte Inkunabeln der Staats- und Stadtbibliothek Augsburg) by Paul Schweitzer-Martin

The True Identity of Heinrich Aldegrever’s Judith and her Origins by Andrew S. Winston

Parmigianino’s ‘Almost Unique’ Judith by Bernard Barryte

Georgette de Montenay’s Emblemes, ou Devises Chrestiennes (Un ‘miroir’ calviniste: ‘Les Emblemes, ou Devises chrestiennes’ de Georgette de Montenay et Pierre Woeiriot, 1567/1571) by Alicja Bielak

Piranesi and Spain (Giovanni Battista Piranesi en la Biblioteca Nacional de España) by Giorgio Marini

The Print Collection of Horace His de La Salle (1795–1878) by Laurence Lhinares

Tate Collection: Three Hundred Years of Printmaking (The Art of Print) by Paul Coldwell

Celebrating Budapest’s Drawings and Prints (The Paper Side of Art) by Rachel Sloan

Contemporary Print Series (Serien: Druckgraphik von Warhol bis Wool / Series: Prints from Warhol to Wool) by Judith Brodie

Publications Received

Catalogue and Book Reviews

Sculpture in Print, 1480–1600 by Joris van Gastel

Agostino Carracci and Hendrick Goltzius (Crossing Parallels) by Marzia Faietti

Aquatint: From Its Origins to Goya by Anne Leonard

Expressionism and Poster Design in Germany by Christian Weikop

Jasper Johns: Mind/Mirror by John A. Tyson

Australian Artists, 1942–2020 (Printed Images by Australian Artists 1942–2020) by Irena Zdanowicz

Print Quarterly website: https://printquarterly.co.uk/

Published on January 15, 2023

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