King’s Manor, University of York, UK, July 10–11, 2025
Registration deadline: July 1, 2025
The period of Western art history known as “the Baroque” has traditionally been interpreted as a stylistic phenomenon. However, artistic production in Europe circa 1600–1750 was enabled by a proto-industrial world system dominated by Spain and Portugal, the Netherlands and later Britain. As a result, material culture became entangled in networks of trade, colonial rule and Catholic global mission stretching from Naples to Nagasaki. This conference will broaden perspectives on the Baroque, embracing its transcontinental and multimedia character. By culturally decentring Europe and with materiality a special focus, the programme will recast the continent as a constituent part of an expanding artistic world driven by war, the exploitation of ecosystems and the first information technology revolution. Bringing together scholars and museum curators from the UK and internationally, the conference will demonstrate how objects can offer intimate insights into global histories often characterised by vast, impersonal economic forces.
Conference convenors:
- Adam Sammut, University of York
- Tomasz Grusiecki, Boise State University
Speakers:
- Thomas Balfe, The Warburg Institute
- Robert Born, Bundesinstitut für Kultur und Geschichte des östlichen Europa
- Vital Byl, University of Bonn
- Peyvand Firouzeh, The University of Sydney
- Lorenzo Gatta, University College London
- Christine Göttler, University of Bern
- Anna Grasskamp, University of Oslo
- Aaron Hyman, University of Basel
- Elsje van Kessel, University of St Andrews
- Ruth Sargent Noyes, Estonian Academy of Arts
- Lorenzo Pericolo, Florida State University
- Stephanie Porras, Tulane University
- Ünver Rüstem, Johns Hopkins University
- Claudia Swan, Washington University in St. Louis
- Angela Vanhaelen, McGill University
- Matthew Walker, Queen Mary University of London
Further details, including booking information and a programme, are available online.