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16th Century

Jan Joest: Ein Beitrag zur Kunstgeschichte des Reinlandes um 1500 (Schriften der Heresbach-Stiftung Kalkar, 11)

By Lioba Schollmeyer

Bielefeld: Verlag für Regionalgeschichte, 2004. 440 pp, 33 color plates, 151 b&w illus. ISBN 3-89534-501-6

Review published November 2005

Growing out of her dissertation, completed in 2000 for the Technische Universität, Berlin, Schollmeyer’s book is a substantial addition to the literature on Lower Rhenish painting. Jan Joest is at [...] Read More

Jan Gossaert: Die niederländische Kunst zu Beginn der Neuzeit

By Ariane Mensger

Berlin: Dietrich Reimer Verlag, 2002. 239 pp. ISBN 3-496-01266-8

Review published April 2005

The paintings and drawings Jan Gossaert made for Philip IV of Burgundy and other patrons related to the sixteenth-century Burgundian court reveal the crucial role the artist played in weaving [...] Read More

Joos van Cleve: The Complete Paintings

By John Oliver Hand

New Haven and London: Yale University Press, 2004. 230 pp. ISBN 0-300-10578-9

Review published April 2005

In the early sixteenth century Antwerp was a key center for some of the most significant developments in Netherlandish art, particularly the assimilation of Italian Renaissance style, and the [...] Read More

The Print Collection of Ferdinand Columbus 1488-1539, a Renaissance Collector in Seville

By Mark P. McDonald

London: The British Museum Press, 2004. 2 vols.; vol. 1: History and Commentary, 519 pp, 509 b&w illus., 17 col. Illus.; vol. 2: Inventory Catalogue, 592 pp; and CD-Rom. ISBN 0-71412-638-1

Review published April 2005

Most histories of print collectors and their collections spring from an investigation of the print collection itself. Take for example, Peter Parshall's article on Ferdinand of Tyrol's collection at [...] Read More

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings and Woodcuts

By Susan Dackerman

With an essay by Thomas Primeau [Cat. exh. Baltimore Museum of Art, Baltimore, October 6, 2002 - January 5, 2003; Saint Louis Art Museum, St. Louis, February 14-- May 18, 2003.] Baltimore: Baltimore Museum of Art in association with the Pennsylvania State University Press, 2002. 297 pp, 85 col. and 7 b&w illus. ISBN 0-271-02234-5 (cloth); 0-271-02235-03 (paper)

Review published April 2005

One of my students likened our entrance into the galleries of the exhibition, Painted Prints, while on a class trip to Baltimore, to that of Dorothy's stepping into Oz - the moment at which Dorothy [...] Read More

Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe

By Jane Carroll and Alison G. Stewart (eds.)

Aldershot and Burlington (Vermont): Ashgate, 2003. 274 pp, 85 b&w illus. ISBN 0-75460-589-2

Review published April 2005

This anthology fills a major lacuna in the study of Northern European art. The eleven essays address a range of issues related to women artists, images of women, and theoretical gender concerns. As [...] Read More

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